Friday, May 22, 2020

My name on the label. I gotta pinch myself! Jane Eyre. Winemaker in Burgundy and Australia.

My name on the label. I gotta pinch myself!
Jane Eyre. Winemaker in Burgundy and Australia.

Winemaker Jane Eyre, from Australia, operates in Burgundy and in Victoria, and told us all about working in wine in the two countries during Thursday’s Masterclass, the latest in the online series organised by Liberty Wines.

Jane Eyre is originally from Melbourne. In 1998, she had put in ten years working as a hairdresser and was looking for a change.  A conversation with a customer led her to Burgundy. But she revealed she “would have gone have  anywhere in Europe. “Just so happened I ended up in Burgundy. I loved the region, the people and the Pinot Noir. Pinot is great, it takes you somewhere, we’re all suckers for it!” 

Back in Australia, she took a job with the legendary Prince Wine Store and studied winemaking at Charles Sturt University. After working vintages at Cullen in the Margaret River, and Felton Road and Ata Rangi in New Zealand, she returned to Europe in 2003. 

Work for three months with Ernie Loosen in the Mosel led into a job in Burgundy with Domaine des Comtes Lafon in January 2004. She then took over as assistant winemaker at Domaine Newman, and has slowly developed her own négociant business, renting a small winery in Bligny-lès-Beaune with Dominique Lafon.

“I’m lucky to be able to make wine in both places, different areas in Europe and in Australia. Starting off, I was lucky to work in beautiful wineries, to meet amazing people and to get the hands-on experience. I started making my own in 2011, five barrels worth”.  

It’s back to Australia every February (“to get away from the Burgundy fog”) and here too she started making her own, again working with Pinot (check her Mornington and Gippsland). Indeed, she has now made Pinot Noir in four Australian areas, the latest being Tasmania, though that was done by great friends (Jane having had to hot-foot it on the last plane to Europe due to Covid19).

She says there’s greater freedom in the wine industry in Australia (though the ongoing phylloxera is a problem in the Yarra), prices lower when compared to Burgundy and so too is the admin! “If something goes wrong in Australia you tip it out to the pigs, but in Burgundy everything has to be accounted for. You can get tied up with admin in Burgundy, not so much in Australia.”

“I’ve got to pinch myself when I see my name on a label, especially Grand Cru. My name really is Jane Eyre and I hated it. My life wasn’t going to be anything like Jane Eyre’s. Put your own name on the label, I was told. Not very French, I thought, but in the end it went on. It’s me, my story, my wines. I probably do get a few sales because of the original Jane. Biggest market for me are England and Paris, name’s is not problem. I made it, I’m accepted, it’s incredibly satisfying. But I was lucky, only ever had help here the whole way.”

Her latest venture in France is not Pinot Noir but Gamay. And she loves the Beaujolais: “… very easy to drink… with ageing potential”. Again her luck was in when she visited Fleury in 2016, “looking for fruit” and that luck led her to Prion, a little village where a grower has “superior fruit” for sale, in an 18 year bush vine vineyard that, in 2017, somehow survived two severe hail storms (Jane’s luck again). 

“It’s fun to work with another variety and Gamay is beautiful. The growers deserve so much more there. But there are trends and fashions in wine and Beaujolais is suffering, it’s tricky to follow the market. But I love making wine in Fleurie.”

She doesn’t stand still. She’s been a long time looking to make a white in Jura and her Chardonnay, finally in bottle, “came out of the bond yesterday”. 

Liberty may have that Jura on the list in future but for the moment there is plenty from Burgundy and Australia and that lovely Chénas from Beaujolais.

Hard to keep up with Jane. She was asked about getting her own vineyard in the Q&A session. Burgundy seems out of the question, too expensive. Australia’s a “better bet”. Then again it could be Beaujolais. Or Tasmania? Wherever you end up Jane, the wine will be good. Best of luck!

Thursday, May 21, 2020

A Couple Of Superb Reds from Argentina and Austria

A Couple Of Superb Reds from Argentina and Austria


Susana Balbo Crios Malbec Mendoza 2018, 14%, €16.75 Wines Direct

The aromas, warm, moderately spicy and massively welcoming, are the stand-out feature of this dark-red/purple Malbec from Mendoza, crafted by Susana Balbo, one of the best known wine people in Argentina. It is warm too on the palate, full of sweet red fruit flavours (plum and blackcurrant), again that spice, dark and delicious, and a terrific harmonious finish as well. Very Highly Recommended. 

Importers Wines Direct recommend pairing it with Pasta and Pizza, Game, Beef and Lamb. The vineyard tell us that it has spent 9 months in 100 % French oak, and they put Tuna steak, lamb, hamburgers on their matching shortlist. 

The Crios series of wines is aimed at connecting with “young, adventurous wine drinkers looking for unique varietals and regions, as well as with those seeking reliable, quality wines that fit their budget”. Reckon a lot of the recent “cocooners” would have a keen interest here as well.

Susana Balbo, the first female enologist in Argentina after graduating with honours from Don Bosco University in Mendoza in 1981, is an Argentinean game changer “of incredible skill and experience” according to Wines of South America. She is regularly hired as a consultant abroad and has made wine in Australia, California, Chile, France, Italy, South Africa and Spain. Dominio del Plata, her own label, is among the country’s most successful, with her Malbec and Crios Torrontes its signature wines.

Wellanschitz Neckenmarkt Zweigelt Klassik (Burgenland, Austria) 2016, 13%, €17.75 Wines Direct


The Zweigelt grape is a brilliantly hardy grape that is well suited to the Austrian climate and it is the most widely planted red grape there. It was created in 1922 from a crossing between Saint-Laurent and Blaufrankisch. According to Hugh Johnson and Jancis Robinson, the terroir here is ideal for the red grape: In this landscape, which is not unlike the Médoc, red grapes ripen reliably every year.

Colour is a dark ruby. Attractive bouquet of ripe dark berries. Medium bodied, it is juicy, fruity (blackberries, cherries, raspberries) and nicely spicy on the palate, very fresh too with engaging medium acidity and a long dry finish, tannins integrated. Highly Recommended.

Should be perfect with the foods suggested by importers Wines Direct: spicy food, soft cheese, pork and poultry, beef and lamb. Serve at 14-16 degrees. Note also that it is vegan friendly.

This classic Zweigelt was fermented spontaneously in stainless steel and then traditionally matured in large wooden barrels. “The work of the winemaker is full of humility and awe. Any manipulation, falsification or acquisition, which would alter the cultural asset of the wine are prohibited at Wellanschitz vineyards.” This is the real thing from the Austrian wine-maker.

Click & Collect Takes Off At 12 Tables

Click & Collect Takes Off At 12 Tables
12 Tables Douglas 
(021) 241 9196

Dave and Cat from 12 Tables in Douglas have been in touch to tell me about their Click & Collect service for brunch and dinner.

"We started doing takeaway dinner service on 8th of May. Since then, we had four nights of takeout services (Friday/Saturday w.e. May 10th and Friday/Saturday w.e. May 17th). All of those nights were success given the response of our customers in local community and the feedback given via social media."

"As of this week we expanded takeout option with our brunch menu. We are offering  brunch "click and collect" menu this Saturday and Sunday (11am-2pm) and a dinner "click and collect" menu for this Friday and Saturday (5pm-8pm). Customers can pick their meal and book their collection slot on our website : www.12tables.ie . We have allocated certain number of slots every 15 minutes in order to avoid queues"

"We are following the government and HSE guidelines in terms of providing the appropriate equipment (masks, gloves etc.) for our employees and making sure they are following the rules of social distancing. Food collection point is located in our garden so no people other than our employees enter  the restaurant promises. Garden floor has stickers on it ensuring social distancing between people waiting for their food."

Menus:




Wednesday, May 20, 2020

Best of Beers. Another Belgian-Irish Round #2

Best of Beers. Another Belgian-Irish Round
#2
Baltimore, home of West Cork Brewing Company

West Cork Brewing’s “Sherkin Lass” Pale Ale, 4.4% vol., 500ml bottle.

This ale, a popular regular since they started brewing in Baltimore, pours a cloudy amber, with a tint of copper, and a soft white head that doesn't last too long. Citrus in the aromas. Makes quite an immediate impression on the palate, fresh and lively, sharp citrus notes again, pineapple and passionfruit too, more malt than hops, just lightly bitter. Quite a distinctive mouthful. Refreshing and quite a thirst quencher.

Hops used are: Columbus, Centennial, Galaxy, and Liberty. It is unfiltered, unpasteurised and vegan friendly as only whirlfloc (Carrageen moss) is used to aid the clarification. And they use their own spring water in the brewing process.
I was one of the first to enjoy this beer in Baltimore a few years back, sitting out on the old rustic seats and tables of Casey’s Hotel (where the brewers are) with a great view over the waters. Hard to beat! In recent years, my favourite West Cork Brew beer is the Roaring Ruby red ale. What’s yours?
The brewery recommends pairing this Pale Ale with Fish, white meats, mild cheese and salads.
White Gypsy “Old Smoke” stout 5.4%, 500ml bottle

Old Smoke was the nickname of John Morrissey, a boxer from Templemore (Co. Tipperary) - the home of White Gypsy - who gained fame and infamy for his exploits both in and out of the ring in the US during the 19th century. 

Is there much smoke here? Not really, just a hint (morning after the night before maybe!) in the aromas. Colour is a shade or two short of a solid black; nice head (cream in colour) but doesn’t hang around. Lovely beer though with mellow roasted flavours, with malt more to the fore. Not like your usual stout but I could easily go through a session with this one!

They say:  Traditionally, beers made in the midlands would have had a slight smokiness due to the malt being dried from peat fires, this stout brings out that combination of smoke & roast while remaining light on the palate. Beer is a fantastic ingredient to use in cooking (and baking). A family favourite is an Old Smoke Stout Stew. 

Wikipedia: Smoked beer (German: Rauchbier) is a type of beer with a distinctive smoke flavour imparted by using malted barley dried over an open flame. The Rauchbiers of Bamberg in Germany, Schlenkerla in particular, are the best-known of the smoked beers.


Rodenbach Grand Cru Flanders Red Ale 6.0%, 330ml bottle

This red brown ale from Flanders has been matured in oak casks, not unique but quite unusual, and indeed the Rodenbach brewmaster Rudi Ghequire says its owes its “complex fruitiness to its lengthy partial maturation in wooden oak casks”.

The sourness in the aromas is repeated on the palate and, if you’re not prepared for it, you might well throw your hat at it at this stage. Someone here has joked that a citron pressé would be a better drink. But remember, it is “probably the most award-winning beer in the world”. So pay a little heed, a little respect!

Soon, at least for me, that complex fruitiness begins to assert itself, both on the palate and all the way through to the finish and you realise there is much more to this than the obvious sour character. Sour comes up quite often but I’m pretty sure the word doesn’t appear on the label (lots of tiny print though!)

The Rodenbach Grand Cru sour red/brown at 6%, is a blend of 1/3rd young beer and 2/3 of beer aged two years in large oak vats, giving fruity taste, complexity and intensity. It even has its own AOC. It takes over two years to make (even the angel’s share happens here and they know the good things) and the young beer is added to restart fermentation. 

Sip by sip, it is becoming more approachable! Patience is a virtue, especially if you are new to this style. By the way, Caractere is another outstanding beer from this brewery. But take it one step at a time.

Duvel Tripel Hop Citra Belgian IPA 9.5%, 330ml bottle


This pours a cloudy light gold, with an attractive white head. Looks like an IPA and smells like one too, citrus mostly with hops there also. Rich concentrated flavours, mostly tropical, flow across the palate, a subtle bitterness in the mix, and a hint of the high alcohol, yet all the elements combine in a very pleasant harmony indeed and those that didn’t fancy the Rodenbach are more than happy with this beauty, a gem from more familiar territory but still a gem. An unanimous thumbs up for the folks at Duvel!
Duvel is a natural beer with a subtle bitterness, a refined flavour and a distinctive hop character. The unique brewing process, which takes about 90 days, guarantees a pure character, delicate effervescence and a pleasant sweet taste of alcohol.
Ever since 2007 the brewers at Duvel have been busy innovating with a third hop variety to give Duvel a surprising twist and some extra bitterness. Each spring this results in the launch of a unique Tripel Hop, which complements the rest of the Duvel range. 

For this 2016 Duvel Tripel Hop, they used the aromatic hop called Citra. Citra is grown in the Yakima Valley in Washington and enriches the flavour palate with fresh hints of grapefruit and tropical fruit.

It takes a while for this beer to mature. It is only after 90 days, when it has achieved its rich range of flavours, that Duvel may leave the brewery. The other hops used here, the basic ones, are Saaz-Saaz and Styrian Golding.

The Triple Hop series began in 2007 and then skipped to 2010. And was added to each year between 2012 and 2016 when Citra was voted in as the people’s favourite.

The Duvel story though goes back well beyond 2007. It all began when Jan-Léonard Moortgat and his wife founded the Moortgat brewery farm in 1871. Around the turn of the century, Moortgat was one of the over 3,000 breweries operating in Belgium and is still going strong. The beer is still brewed with profound respect for the original recipe and the time it needs to mature. More details here .

*****
The round, by the way, it not like a boxing round. Not really looking for a winner here. If we have four winners, then so much the better, for me!

Also in this series:
An Irish and Belgian Beer Quartet play a pretty tune on a Friday evening.


All the beers above were bought in Bradley's, North Main Street, Cork.
Their Belgian Selection box (12 bottles) costs €45.00.
Their Irish Selection box (14 bottles/cans) costs €65.00. 

More details here.

Nino Pieropan fondly remembered in son Andrea’s Masterclass

Nino Pieropan fondly remembered in son Andrea’s Masterclass
 
Pieropan family, in Soave since 1880
In the 1960s, Soave wine came from the Classico region. But the economic boom of the 70s, saw Soave (like Chianti) expand beyond the original area. And it proved a disaster. 

During Tuesday’s Liberty Wines organised online masterclass, Andrea Pieropan explained: “The DO expanded into the flat area where the yields were higher, the season shorter and there was less personality in the wines.” He explained that no area in Italy has such a difference between the classico and the surrounds.

So, quantity reined. Soave was everywhere, being sold abroad (primarily in North America) in 2-litre bottles. Soave became something of a dirty word. Many avoided the wine but, according to Vino Italiano, that meant “missing out on the elegant floral whites of Leonildo Pieropan whose Soaves show off the plump mouth-filling character of ripe Garganega.”  “..taste Pieropan’s single-vineyard wines (..Calvarino … and La Rocca) and suddenly Soave is no longer a dirty word”.

Grown on dark volcanic soil

Such was the impact of Leonildo (popularly known as Nino) who took over from his father in 1970 and was the first producer to make a single-vineyard Soave, 'Calvarino', in 1971.  This vineyard, owned by the Pieropan family since 1901, is on the classic volcanic basalt of Soave Classico. The other single vineyard 'La Rocca' was released for the first time in 1978, this vineyard is situated on the castle (“Rocca” in Italian) of Soave, on the only limestone outcrop in the zone.
Garganega (2019 vintage)

“My father was thinking single vineyard when no one else was,” said Andrea. And he was up against popular opinion as many thought you had to use the international grapes (Chardonnay and Sauvignon blanc) to make a top class white. Liberty MD David Gleave confirmed that Nino had great courage and foresight in doing so and admires “the bravery of doing something like that in the 1970s, he trusted his own powers of deduction. He was a modest man but when you visit (as I have many times), you know you’re in a great vineyard.”

“He did not care about trendy,” said Andrea. ‘We have to show what we have and what we have you cannot find in many wines. We have a test: put bottle on table, bottle finished, good sign!”
April bud - Covid19 notwithstanding

“Urged by the great Luigi Veronelli to take the high road of quality, Nino started to prove, with that wine, that the best wines of Soave could age beautifully and could, in the right hands, be considered among Italy’s finest white wines,’ said Gleave. 

The Pieropan family has been producing wines in Soave since the 1890s. Indeed, they were the first producer to bottle a wine with the name Soave on the label in the early 1930s. Calvarino (little calvary) has been owned by the Pieropan family since 1901, is on the classic volcanic basalt of Soave Classico. The other single vineyard 'La Rocca' was released for the first time in 1978, this vineyard is situated on the castle (“Rocca” in Italian) of Soave, on the only limestone outcrop in the zone.

Andrea recalled his father saying that Calvarino was the greatest expression of what Soave should be and important too is the use of cement tanks for aging. “The wine does much better in concrete… we use it always for Calvarino, even in the new winery.”
La Rocca, grown on limestone

They started with cement also at La Rocca but here the soil is “completely different” and they switched to large barrels/tonneau and the wine spends 12 months on oak before bottling and blending. Also, it is not released for another 12 months. All in all, it shows that Garganega “could make a great white wine to compare with International whites wines.”

In the interesting Q&A at the end, Andrea was asked about the use of amphorae. He acknowledged that amphorae were “beautifully shaped and trendy” but didn’t see “much difference”. “You can have cement in same shape. In terms of material, I don’t see a big difference, both are inert.”

Attention to detail, year after year, seems to be a family trait. The Modern History of Italian Wine lists Nino as one of the most important winemakers of the 70s. “With him, viticulture and the Soave grape changed their look. He was the first to adopt green pruning methods… the first to plant espaliered vineyards (1969)…. and, subsequently, to reduce the buds from 50 to 10 in the pergolas of Garganega.  .. the first to use the horizontal Vaslin press..the first to restore the value of Recioto as a wine.. In 1970, with the blind tastings, his wines came to be considered extraordinary.” And the decade just got better with Calvarino and La Rocca
Brothers in wine: Dario (left) and Andrea

When Nino died two years ago, Andrea and brother Dario stepped up to the plate. Each is a winemaker. At present, Andrea oversees the vineyard while Dario takes care of the vivification.

The two sons could have rested on the their father’s laurels for decades. But, like Nino, neither is for standing still and there’s a string of projects on the go, a new one involving Valpolicella, and they recently completed a wonderful winery (underground in a mountain) in Soave itself; organic now, they are becoming more environmentally friendly; they are planting a vineyard on the winery roof to investigate the effects of copper and sulphur in the soil; and, for another label, have planted a vineyard at 500 metres. “We continue in the same line as father,” Andrea said. I reckon Nino would have been quietly pleased!

The new winery during construction