- Market Lane ‘Chef Sessions’ Pops Up with ‘Food Jou...
- Munster Wine & Dine Circle. 2019 April Trip
- Argentine Wine Fair. Elegance doesn’t need perf...
- Restaurant Reviews. Up-to-date. Cork & Ireland
- Are you a Rebel or a Chieftain?
- The RACK ‘EM UP SERIES from Eight Degrees Brewing
- PREM Group Invests over €1 million in Kilkenny Hot...
- West Cork Food and Top Italian Wines to feature at...
- SLIGO FOOD TOURS TO TAKE TO THE STREETS THIS SUMME...
- Top Wines. With Reviews & Irish Stockists.
- Ireland's Great Producers, Great Tastes
- The Good Value Wine List
- Treat your Mum this Mother’s Day with a Special Lu...
- Inspirational women of Sligo Food Trail
- Launch of Cork School Garden Project
- GEORGIAN WINE COMES TO DUBLIN
- CAHERNANE HOUSE SET FOR FURTHER €1.3M. RENOVATION
- Top Posts, last 6 months
- Cork targets French tourists
- Calorie counting “will cable tie the hands of che...
- THE WORLD’S 50 BEST RESTAURANTS AWARDS
- Maryborough Hotel Food & Wine Evening Friday March 8th
- Blog Policy
Thursday, August 30, 2018
Georgian Wine. The Ancient Becomes Cutting Edge
Pheasant’s Tears Rkatsiteli Kakheti (Georgia) 2016, 12.5%, €22.95 64 Wine Dublin, Bradley’s of Cork, Greenman Dublin, Le Caveau Kilkenny
When American artist John Wurdeman, then working in the Soviet Union, was persuaded by a new-found friend to get involved in a Georgian winery, they were thinking of using oak, like some were. But the local bishop put them on the right wine road: “Stay with tradition. Keep true to the Georgian way. Use no additives. Use qvevri. Have faith.”
And so John Wurdeman and Gela Patalashvili now use the qvevri and, “with love and awe”, make their wine as it has been made here for 8,000 years. “Our natural wines are made entirely in qvevri inside the womb of the earth.” A qvevri is huge earthenware vat sunk into the ground and used for fermentation and storage. Another difference is that the Georgians use skin contact extensively, hence the deep colours of the two wines in this post.
“At Pheasant's Tears we believe our primary task is to grow endemic grapes from unparalleled Georgian soil, harvest that fruit and then preserve it as wine using traditional Georgian methods.
In working this close to the vine we experience both heartache and celebration; yet every year there is a new harvest to cultivate, and the eventual discovery of a wine of untold beauty.” This is one of the beauties!
To read more on the amazing story, including how the Georgian winemakers survived a long period of Soviet industrialisation of the vineyard and the winery, get your hands on “For the love of wine” by Alice Feiring. And to understand better the philosophy behind the men and women of Pheasant’s Tears check out this YouTube video.
And so back to our bottle made from the white wine grape Rkatsiteli where the skin contact helps give this amazing amber colour. Nose is intense with a waft of honey. The palate is rich with range peel and dried apricot and walnut notes also. It is full-bodied and the noticeably dry finish is persistent, with tannins kissing the lips.
It is versatile with food (ask the Georgians who typically allow three litres per person at their legendary feasts). We tried it with Chicken Piri Piri (with a courgette and tomato accompaniment from the garden). Later, with a bowl of unadorned strawberries. And later again with a slice of courgette (a bit of a glut at present!) and walnut cake.
Made with love and awe. We drank it with love and awe. Very Highly Recommended.
Tbilvino Marks & Spencer Rkatsiteli Qvevri, Kakheti, Georgia, 2015, 12% abv, €15.00 (on offer at the time) M & S.
Okay, so you need a bit of translation. Tbilvino are the producers for Marks and Spencer who blended it. Rkatsiteli is the grape and the Qvevri is the Georgina underground vessel (an amphora) in which the wine has matured. Kakheti is the wine region in the far east of the country.
The company story begins in the twentieth century, in 1962, when one of the most powerful wine factories in the Soviet Union was launched in Tbilisi. For years the factory remained an essential part of the Soviet winemaking industry (nine of ten bottles of wine sold inside the country and abroad were made in this factory). The emphasis was more on quantity than quality until the early 1990s when it emerged as an independent wine company with a new philosophy.
M & S say this orange wine from the white Rkatsiteli grapes is made in the traditional manner. The grape juice and skins are fermented together, then partially matured in the Qvevri for several months developing the wine’s rich and unique style. So unique that wine beginners may not like it, so be careful who you offer it to.
The colour, some say orange, some amber, is striking in the glass and the rich aromas have hints of honey. Rich and deep too on the palate, dried fruit (apricot), some spice too, nutty notes also in the mix. And a good finish as well. Highly Recommended. I think food is an essential with this one and M&S recommend pairing it with mixed seafood platters, and spicy dishes such as chicken tagine or tandoori chicken.
See previous post on orange wines here.
Wednesday, January 10, 2018
The Fourth Wine?
You’ll read that orange wine is like rosé. Not really. Not at all. Many wine novices could start with rosé and like it straight off. If they start with orange, they may never drink wine again.
I reckon you have to serve a general apprenticeship, a rather pleasant broad-based one like I did, before you are ready for orange, at least the orange I've been tasting the past year or so, beginning with La Stoppa’s Ageno. Well, I did start at the top as this wine has been declared, by Decanter, as the best orange in the world.
The orange colour of these wines, obtained by leaving the skins in contact with the juice, is not uniform for various reasons to do with varieties, geography and time in contact (weeks, even months). The Ageno above spends 30 days on the skins, the Dinavolina below has had four months of contact, the Baglio just four days!
Essentially they are white wines - both examples below are labelled bianco - but they also have a higher level of tannins, more like a red wine, and indeed can match foods where previously red would have been the only choice. Welcome to the fourth wine!
Baglio Bianco Catarratto Terre Siciliane (IGP) 2014, 12%, €19.50 Le Caveau, Bradley's Cork.
Bianco is certainly a bit of a misnomer here as this is most definitely an orange wine, a cloudy deep amber in colour, unfined and unfiltered. And Le Caveau say it is a “fantastic introduction” to orange, “both from a flavour and price point of view”.
A nose of baked apple, cinnamon, and nutmeg is promised and delivered. There are strong reminders of a flavoursome dry cider as this wine spreads across the palate. A fantastic concentration of the flavours follows through to a lip-smacking finish. Highly Recommended.
Pairings suggested by the importers are free range pork with apple sauce; a herby roast chicken; and cheeses such as Durrus. Catarratto, by the way, is Sicily’s, and Italy’s, most popular white wine grape.
Azienda Agricola Dinavolo Dinavolina Bianco Vino D’Italia 2013, 10.5%, €21.65 Le Caveau, Bradley's Cork.
And now, from a vineyard height of 1,500 feet, with no added sulphurs, we bring you Dinavolina, the personal project of Giulio Armani, the winemaker at La Stoppa in Emilia Romagna, where Ageno is produced. This “left of centre” wine is a blend of Malvasia di Candida Aromatico, Marsanne, Ortrugo and an unidentifiable ancient local grape.
The amber colour here is clear, unlike the cloudy Baglio. Again there are hints of the apple orchard in the aromas but not as pronounced as in the Catarratto. The acidity is certainly a striking feature, reminiscent of the Basque wine Txakoli.
Fruit flavours are spare but insistent - four months on skins have seen to that colour and the tannins. The finish replicates the palate and one can see how the Dinavolina would go well with the recommended dishes: salt cod; ricotta filled pasta; or hard cheese. Personally, I’d add pork. The wine itself is Highly Recommended.