Showing posts with label Liberty Wines. Show all posts
Showing posts with label Liberty Wines. Show all posts

Tuesday, June 30, 2020

An Easy-drinking Double From Two Of Sicily’s Most Popular Grapes

An Easy-drinking Double From Two Of Sicily’s Most Popular Grapes


Did you know that the the vineyard area of Sicily is among the largest in Italy? It's about 107,000 hectares, about twice the size of a region like Emilia-Romagna or Tuscany. Nero D'Avola is the most popular red grape here while Grillo is a well known white grape.

Zabu Nero D’Avola Sicily (DOC) 2018, 13%, €14.99
Baggot Street Wines, JJ O’Driscolls,  Martins, Drinkstore, Cinnamon Cottage, Power & Co, Red Island and www.wineolnline.ie

The Nero d’Avola grape, sometimes compared to Shiraz, is the most important and widely planted red wine grape variety in Sicily and is called after a town on the island. Importers Liberty Wines tell us the fruit for this wine is grown by Lake Arancio, in Sambuca di Sicilia. The crystal clear water of the lake creates an ideal microclimate for this eminently drinkable red.

A beautiful mid ruby colour. Attractive aromas also, fruity, floral, a hint of herb. Juicy cherries in a warm body, soft tannins contribute to its drinkability, and that juicy plummy fruit takes you through the persistent finish. Aged in stainless steel tanks, the wine is well balanced, uncomplicated maybe, but still an excellent companion for first courses, grilled and roasted meat, good with medium-aged cheeses, also as an aperitif. 

Serving temperature recommended is 16-18 degrees. Not too sure I’ve come across as light an Nero D’Avola as this. Highly Recommended.

Zabu Grillo Sicily (DOC) 2018, 12%, €15.99
Jus De Vine, Cinnamon Cottage, JJ O’Driscolls  and www.wineolnline.ie


Grillo is a Sicilian white grape variety most famous for its role in the island's fortified Marsala wines. Despite Marsala's decline in popularity, Grillo is still widely planted on the island.

Light to mid-straw, with tints of gold. Fresh on the nose, peach and citrus notes. Fruit-driven flavours (peach and citrus again)  on the palate, a refreshing wine with a long dry finish.  A nice light fresh and uncomplicated white wine. Recommended.

Suggested pairings:fish dishes (crab), fresh cheese, light risotto, couscous and fish soup. Great with smoked fish. Serving temperature: 10-12°C.


Wednesday, June 24, 2020

The Sweetest Wine. Rain, Fog, River combine in Sauternes. The winemaker tells the story.

Rain, Fog, River combine in Sauternes. 
The winemaker tells the story.

Jean-Christophe Barbe is a professor of oenology at the University of Bordeaux, and his specialist area is noble rot, and that was the focus of Tuesday’s Liberty Wines Masterclass via Zoom. He has plenty of first hand experience with this, as he and his family own the 14 hectare estate, Château Laville, in Sauternes. The Château Laville Sauternes is a frequent recipient of awards including a Gold at the latest Decanter World Wine Awards – showing Jean Christophe not only has a huge knowledge on the subject of botrytis, he knows how to work with it to create outstanding wines.

When I last visited Sauternes, I actually bought the 2001 vintage of Chateau Laville in the village. That was back in 2014. Things have moved on since then of course. Jean-Christophe reckoned that the best recent vintages were those of 2009 and 2011 with 2010 well up there as well and said his personal favourites are the ’09 and the ’16. “We’ve been lucky, we’ve had lots of good ones over the past 30 years.”

He has been managing the estate for the past 20 years, following five years of working there with his family. Sauternes, as I found out on my visit, is quite a small area, “just five villages” according to Jean-Christophe. The River Ciron is an important factor in the development of botrytis or Noble Rot in Laville (while for other growers, the Garonne is closer). Sauternes is in a slight depression and the river and the regular fog bring “a lot of wetness” and that “fog is powerful for botrytis”. 
The Ciron

But nature needs a helping hand. All that dampness could lead to mould that would just rot the grapes. Jean-Christophe explained: “The wine grower must be clear on the evolution of botrytis as grey mould is not botrytis.” To get the desired Noble Rot, good aeration is required and that can be obtained through judicious pruning and the vines must be properly managed to “have well positioned bunches”.

And then, in the later stages, lots of patience is required. At a certain point, the fruit is ripe enough to make a normal still wine but it will take up to 30 days beyond that and sometimes more before the harvest is completed. And there’s the danger that botrytis could go too far in the riper bunches. Once enough grapes are ready the picking can begin, all by hand, grape by grape, not bunch by bunch (though that may happen in the later stages). A few passes (painstaking picking, berry by berry) are required as grapes will have different maturities. Up to five different pickings are possible.
The 0 is the point (day) at which you'd harvest to make normal white wine. The grapes in the hand show the evolution of
botrytis. The bunch on the right is well advanced.


Where did the love for sweet wine come from? Jean Christophe first told us a “story” that it was born centuries ago when the owner of Chateau d'Yquem went off on a long trip to Russia and gave orders that no wine should be made until he returned. That return was delayed and when he got back to the chateau, the rot was everywhere. But being winemakers, they decided to harvest and were so surprised with the beautiful wine that they decided to wait for the rot every year after that.

“That story is too nice,” laughed Jean-Christophe and then he related the “historical fact”. In the late 17th century, the vineyards were run by tenants and the landlords took their rent in wine and, what’s more, the owner choose the barrels himself. "There is a lot of information on this in writing.”
The bunches here show different stages of botrytis and therefore the need for multiple pickings

After the revolution, there was concerted action by the tenants and that year the harvest was late. The landlords were impressed with the quality of the wine and the price they got for it and they now wished to have wine with a lot of sugar as there was a market for it. That market was between Bordeaux and the Dutch who were indeed looking for sweet wines. So while local conditions made the wine, the market (the Dutch may already have had a taste for sweet wine) allowed it flourish.

Later in the Q&A, Jean-Christophe was asked what did he think of countries who were inoculating the mould to make sweet wines.
“They are perfectly managing their situation, in those areas, they are also able (allowed) to irrigate. But we rely on nature, the river, the fog, the rain."

Another answer revealed that that the industry has problems closer to home. Jean-Christophe: "In France, there has been a drop of 15% in dessert wine consumption as compared to a drop of 30% in overall wine consumption. Often, it is the older drinkers who drink it though the younger people are coming back to it. Some estates are turning to making white wine but at the moment not a very high volume, more a diversification.”
Shot of my 2001 taken in Sauternes in 2014

* My 2001 Laville was one of the very good ones. Here’s what Jancis Robinson had to say about it. “The rain that spoilt the reds encouraged botrytis to such an extent that this is a truly magnificent long-term vintage…..”. So I got lucky when I called to the Maison Du Sauternes in the village and bought four bottles, though just one of the 2001. The helpful man there helped me wade through the catalogue that had many Sauternes on offer, from twelve euro to twelve hundred!


* For a really detailed account of Sauternes, please click here




Sunday, June 21, 2020

All The Sun In The World But Pedro Parra Wants Cloud. He'll Go To The Ends Of The Earth For The Right Soil.

All The Sun In The World But Pedro Parra Wants Cloud.
He'll Go To The Ends Of The Earth For The Right Soil.

Pedro Parra is a renowned soil and vineyard mapping expert with a Masters and PhD in Precision Agriculture and Terroir from the Institut Agronomique National in Paris. As a consultant to many well-known wineries across the world, the Chilean has spent much of the past 20 years discovering new sites, digging ‘calicatas’ (pits for soil analysis) and transforming the way wineries manage their vineyards. 

A calicata
However, he always dreamed of one day making his own wines from old Pais and Cinsault bush vines in his native Itata. A fantastic storyteller with a unique and fascinating career, Pedro told us, during last Thursday’s Liberty Wines online masterclass, about his own project and how he has used the knowledge and experience gained working in vineyards in Burgundy, Europe and the Americas to make his own low-intervention wines from the oldest wine region in Chile.

This renowned consultant is now, it appears, on his way to being a renowned winemaker. The desire to make his own wine took root in Burgundy while he was doing his soil studies in France. “It was in 2002”, he recalled. “I was extremely lucky, I knew nothing about wine when I stayed at a producer’s house. My palate was immediately and strongly influenced by the wines I tasted there.”

Then he started to wonder why Chilean wines were not as good, why they were so soft. “Why? Was it the winemaker? Was it the soil? What else? I figured it was a mix of everything.” “So, from 2004 to 2010, I worked hard as a consultant to open minds, to get people to look at other options, always with the idea to make my own wine, but where?”

“I knew where not to go, not Limari, not Elqui, not Casablanca. I wanted terroir with cloudy weather so I was looking to the south of Chile which has more wind, more cloud.”

And then there was the question of terroir. “Terroir has been very important in my career. Ninety per cent of the best wines come from just five different soils. Limestone is one. There is very little limestone in Chile but we do have fantastic granitic soil.” Again, the south fitted the bill.

“My grapes though were still a mystery and, in any case, my wines were to be about the place, not so much about the grape.” But he was drawn to two grapes. One was Pais, brought by the Spanish 400 years ago and widespread. The other was Cinsault, though that was grown only in one small town in Itata.
Pedro on screen from Conception last Thursday

He started in 2013. Not being a winemaker, he was not confident. “You don’t have the security,” he said. But then an experienced friend told him that not all good wines were made by winemakers and eventually he built up the confidence to make wines the way he wanted them made, once he selected the sort of granitic soil he required. He dug his calicatas and avoided clay. “Unless I have the  very best clay, I’d prefer not to have it all. Bad clay is horrible.”

“Little by little, I understand the plateau in Itata.”  And in 2013-15 he researched many plots to find the ones he really likes. “By 2016 I had found some places I now work, where I can apply my ideas. I use the horse, 2 or 3 times a season, to keep the soil in trim. It is not expensive, it’s a beautiful thing to do, I can go with the family.
A handful of quartz

Now he produces about 30 different wines. “My goal is a maximum of 5,000 cases. I don’t want to go more. Over that would be hard to control for our three person team. We are economical. Our destemmer is not new - you don’t need to spend €40,000 on a destemmer.”

“Great wines come from great terroir. Maybe I was too focussed on Burgundian methods at the start. It took me years to understand my method of extraction.” A tip from a Spanish winemaking friend put him on the right road with the extraction. He is getting the fruit and the wine he wants, the kind of wine he’d like drinking himself. “I am so happy. 2020 has been the best quality so far.”

I’ll be looking out for that 2020. I thought his 2018 “Vinista” was a cracking wine made from Pais. Colour is light to mid ruby. Wild red berries feature in the aromas, with herb notes in the background. Refreshing bright juicy fruit on the palate, a hint of spice too. String quartet rather than full orchestra, it is immediately harmonious right through to the engaging finalé. And this gem, the fruit sourced from 120 year old vines planted at 300 m above sea level, is one of the results of Pedro’s amazing dedication and expertise. The wine has spent one year in untoasted foudre and then spent 8 months in bottle before release. Time well spent!

As were the 90 minutes of that superb masterclass.



Links to Previous masterclasses in this current series, all recent:

Tuesday, June 16, 2020

How Australia's Supportive Winemakers Aided Chardonnay Shine. Eventually.

How Australia's Supportive Winemakers Aided Chardonnay Shine. Eventually.
Shaw and Hill Smith (who said it would hard to beat an actual tasting to illustrate the difference between Chardonnay from the Adelaide Hills and that from Tasmania)

The day after Wine Australia hosted a webinar on the 2020 harvest, that very subject came up yesterday in the latest Zoom masterclass, organised by Liberty Wines. Two Australians, Michael Hill Smith (co-owner Shaw+Smith) and chief winemaker Adam Wadewitz, were telling us about Chardonnay and the differences between the Adelaide Hills (where their main vineyard is) and Tasmania where they now own the Tolpuddle Vineyard.

Adam, in Tolpuddle
So how did 2020 go? 
Adam said it was challenging but he had an amazing team “up for it”. “Frost early, rain at the long time, poor flowering and then the fires in December, fear of smoke taint”. Those fires came quite close but helped by the wind and advice from Australia Wine Research, the vineyard got through. While the yield was down, “the fruit was pristine, great flavour and acidity. We don’t have huge amounts in the winery but the wines are spectacular!”

Shaw + Smith, for thirty years, have had two vineyards in the Adelaide Hills, at Balhannah and Lenswood, totalling 55 hectares. The vineyards are planted to varieties that perform particularly well in the region, namely Sauvignon Blanc, Chardonnay, Pinot Noir and Shiraz. Now a third, at Piccadilly, is being planted.

In introducing Michael and Adam, Liberty Wines MD David Gleave said it was exciting how Chardonnay had moved from being big and oaky over the last 15 years. “Now there’s a huge diversity with regional characteristics.”

Michael put the development down to movement in many areas of winemaking but especially to a change of philosophy of winemakers away from the big rich oaky wines to something much more subtle and refined.

Adam admitted to being obsessed with Chardonnay. “We have learned along the way, moved the varietal to cooler regions, to cooler sites in those regions… more exposure to international examples has led to an evolution in style and so too has farming the right grapes (including Chardonnay) in the right places.”

Quite a few Australian areas now make a balanced Chardonnay (Margaret River, Yarra Valley, Mornington among them) with acidity part of the mix. Michael: “The fruit is still there but the winemaking is supportive, quiet.”

Michael continued: “Chardonnay has always been part of our story here in the Adelaide Hills but our first wine, in 1990, got away from us. Secretly we were a bit disappointed but five weeks later it was awarded White Wine of the Year!”

Adam: “Chardonnay had an amazing connection with the place, purity, acidity, and it was possible to refine it over the years. The new generation want wines to speak of place. We pick earlier to protect the acidity. I agree there has been real change, not only at Shaw+Smith.”

Is there a definitive Adelaide Hills Chardonnay character? Michael: “I think of a slight ripe nectarine. Not skinny but with mid-palate intensity, weight and length and acidity and that lovely stone fruit character, whereas Margaret River has more pear.”

Shaw+Smith are in conversion to organic. Adam is happy: “More bio-diversity, more healthy fruit, ferment is better.”
Cooler in Tasmania

“We use oak but don’t want to see it in the final wine, hard to explain that to accountants”, Adam joked. “We use it for oxygen, tannin, not flavour. Barrel size is a big thing. We used larger at Adelaide Hills but Tasmania is so good, small barrels are more suitable.”

Their move into Tasmania was not quite in character, according to Michael. “We are not easily distracted; we tend to focus on what works well and Adelaide Hills was successful. I’d heard wonderful things about Tasmania but had never heard of Tolpuddle until our visit. I loved the Chardonnay and Pinot Noir and three weeks later we owned it with no real idea of how to manage it!”

When Adam visited, he was struck by the extraordinary acidity (like Mosel or Chablis, according to Michael), the extraordinary intensity of flavour. “It is an exciting vineyard,” said Adam. “Great to work in Adelaide Hills and Tasmania, totally different regions and great to apply our understanding that the vines and the winemaking need a different approach.”

An example of layering, with the "mother" centre,
the" baby" to the right
While the Tassie vines were well planted by professionals, the spacing could have been better. They got around that by the method of Layering. That doubled the number of vines which in turn allowed them manage each vine to produce half of the previous yield, so less stress on the individual plant.

With Tasmania on the agenda, it was inevitable that someone would ask about sparkling wines for which the island is so well known. Michael, a big Champagne fan, said sparkling is 60% of the island’s production and that he really rates them. “We know how to make sparkling and Tolpuddle can do it with the Chardonnay and Pinot Noir. We know how to do it but I’m not convinced that we will.” And one got the impression that both men would tend towards making top notch still wines. Michael said Tasmania is an emerging place, “exciting stuff coming out” of there, even though it is just 1% of total Australian production.

The final questioner asked if an appellation system would help in promoting Australian wine.
Michael: “We do have very strong laws on defining regions and they are well policed. Don’t think Australians will be told what to plant where. Wine Australia does well with the current regime.”