Garrett Oliver Talks Beer. Also Tomatoes, Bread and Pre-Sadness.

Garrett Oliver Talks Beer.

Also Tomatoes, Bread and Pre-Sadness

Garrett Oliver

You need real tomatoes to make tomato sauce.

Garrett Oliver, dapper brewmaster at the Brooklyn Brewery, started his Ballymaloe talk and tasting, with this line on tomatoes. Soon, he would delve into bread and cheese, fake bread and fake cheese, and later he would go all philosophical or maybe philological as he explained his theory of pre-sadness!

But there was no sadness in the Drinks Theatre during Garrett’s hour on Sunday afternoon. Just lots of laughs and no shortage of good beer either, beer that tastes like beer!  You hear people say, when they taste a craft beer: This is nice, doesn't taste like beer. He had an explanation: “The beer they grew up with didn't taste like real beer!”

Garrett, no mean chef himself, says that “brewing is more like cooking than wine-making”. He went on to give us a bit of background on New York’s diverse food and drink scene; in the late 1800s, you could eat your way around the world in one day there. He revealed that Guinness had a brewery on Long Island in the 1940s that lasted for ten years or so but closed because people preferred Guinness from Ireland.

Back then to the theme of real food and real beer. “It was a different world after prohibition. Better transport, the mass market and advertising led to less choice. The number of breweries in the US went from 4000 to 40, all making much the same beer.”

He highlighted bread as another example. You had fake bread, cheese with yellow colouring. A cheese sandwich consisted of two wraps of “plastic” and a filling of yellow plastic. “Same thing happened with beer.”

Brooklyn Beers

As he introduced the first beer, Brooklyn’s Sorachi Ace, he revealed that his first pint of real British Ale “changed my life”. The Sorachi comes in what looks like a champagne bottle but Garrett wasn't having any of it saying Champagne comes in a beer bottle. No arguing with that, dude!

The Sorachi is based upon a Belgian Saison and that “dill like aroma is unusual”. “It is a super dry beer, slightly hazy and you may find yeast at the bottom. It is very nice with oysters, crabs and other shellfish.”

And then he brought up the pre-sadness. You might, for instance have pre-sadness as your enter the last few days of your holidays in an exotic place, still enjoying yourself but knowing the end is nigh. 

The Sorachi was one of their 2009 specials and, like holidays, specials are not meant to last beyond their designated span. So as the Sorachi’s allotted time came to end, the pre-sadness entered their minds even though they were happy drinking it at the same time. So they didn't allow it to end, found excuse after excuse to keep it going and now make it all the time.

Sorachi

Next up was the Hammarby Syndrome, introduced to celebrate their opening of a brewery in Stockholm. It’s brewed from 35% of spelt, an ancient wheat-like grain that was once a mainstay of Scandinavian beers and this gives it a nutty flavour. He recommended it as a food beer, especially with roasts and steaks.

Time for the third beer, the Ghost Bottle Galahad based on their Brooklyn Local No. 1 and made “within the Belgian tradition”. This has been enhanced via the lees from a natural cider fermentation.”It is aged for one year on the lees and has lots of flavour that were not in the original, is cloudy and very dry though it seems sweet.”

Brooklyn is well known for its collaborations. “We were the first brewery to do collaborations but now we were doing it only with friends. Great to bounce around ideas.” We were now sipping his Wild Horse, a stout with quite a kick at 9.4%. He then told us the yeast was the famous, infamous if you’re a winemaker, Brettanomyces, Brett for short.

“Brett was the flavour of stout, back in the day.” You might spot the hay, the farmyard, the horse-sweat. Can't say I did even though the dogs were barking outside in the Ballymaloe farmyard and there were hungry sounds from a bird-nest or two high in the rafters. After all, this Drinks Theatre is in a tractor shed! More on the Wild Horse here.

The journey continued with K Is For Kriek. “This is the least beer-like beer. Kriek is the Belgian tradition of adding fruit. This was food back in the day. This though is a weirdo variation, no Belgian would recognise it as Kriek. We put ten kilos of cherries into each barrel.”

“This was brewed in 2013, spent five months in barrel and overall took one and a half years to make. It is 10.3%. Pair it with duck, goose, foie gras. This is an American interpretation of wheat, illustrates that what we do is something like a chef does when he imports an idea from another country.”

And speaking of ideas, he said nobody ever came up with a great idea over a Diet Coke. “The best ideas need a real drink. They say you live longer if you don't drink. Not really. It just seems longer!” Check the brewery’s notes on the big K here.

ABV has been rising all the time and the final beer packs 13.5%. Hand and Seal is a Barley-wine style, “..nice with Stilton, very strong and sweet, well balanced and will age - for up to forty years!” Once the preserve of nobles, the Brooklyn brewmaster decided it should be for the masses. Read the full story here.

If that was the last of the beers, it was not the last of the session, not with Garrett on the mike. “What we do is creative. This is a renaissance, a recovery from a harmful food system that wiped everything out. Go out and try things. Some of these beers cost less than a coffee.” He must have stayed in the Westbury recently; an Americano cost me €5.40 there last week.

“It is great that you in Ireland now have a burgeoning craft beer movement and your first pint should be from a local brewer. But I would like to be second on the list! As far as I know, you go around once - I’m going to have a good time!”

Dowcha Garrett!

See also:
Jancis Robinson on Wine's New Wave
Gin. The Garden Spirit (with Desmond Payne)
World Rediscovers Irish Whiskey (with Dave Broom)

Port, Sherry, Madeira. All treasures. Each superb in its own right.

Port, Sherry, Madeira. All treasures. Each superb in its own right.

The Fortified Wines Event at Ballymaloe LitFest.

Mightn't look like it but they are singing from the same hymn sheet!
Raymond Blake (left) and Tom Doorley in the Tractor Shed

Wine writer Raymond Blake, a convert in the cathedrals of Jerez, led the Fortified Wine Choir that  Ballymaloe Colm McCan assembled for Sunday’s event in the Drinks Theatre. Blake urged us all to join the crusade and keep these “legacy wines” in a strong position, warning that if they are lost, they will never again appear, as the unique circumstances that gave rise to their creation will never be repeated. “These are treasures”, Raymond preached. “And each is superb in its own right.”

The treasures for tasting in the converted Tractor Shed included two white wines, an En Rama Fino by Gonzalez Byass and a Dry White Port from Taylor’s. Later came the two reds: the Madeira and a Taylor’s Tawny. The other members of the choir were Leslie Williams, Chris Forbes, Tom Doorley and John Wilson and they all sang from the same hymn sheet urging us, among other things, to serve these fortifieds in a wine glass, underlining that these are real wines.

“En Rama is becoming popular,” said Raymond. “But it is a bit untamed, Fino with knobs on.” Tom Doorley then revealed that his big love is Sherry. “It is great value. I also love the huge range of styles and love the austerity of dry sherry."

John Wilson said these are  the “most man-made” wine of all. “They require so much intervention. They are incredible, precise, with complex flavours - savour slowly. My personal measure of Fino is a bottle - great with tapas, Iberico ham, almonds, Manchego cheese.”

The panel in the tractor shed

Leslie Williams said En Rama is sherry in the raw, unfiltered and he sometimes matches it with Fish and Chips! Chris Forbes, for a Port man, was generous: “Sherry is one of the wonderful wines, amazing value. Great poured into soup, a use also for White Port. Both are made with indigenous grapes. They are really wines.”  

He said Taylors make two of the three styles of White Port, a dry and an extra dry. Five or six varieties of grapes are used and suggested chilling it as an aperitif and serving with tonic and ice.

Raymond loves his Madeira,such a pure wine, "even the sweetest has acidity through it" and it can be measured in centuries, the intensity of it, great flavour, super stuff. Leslie too adores it and says the opened bottle may be kept for quite a while (not not as long as his mother kept the Bristol Cream!). John Wilson is another convert. Of the Barbeito that we were sampling, he purred: “This is so good, it almost hurts, a classic Madeira."

The Fortifieds

Now we were on to the 10 Year Old Tawny by Taylor’s. John Wilson suggested that this was perhaps the future of Port and was bringing people back to the drink. Chris agreed saying Tawny is the current hero. “There has been a 72% growth in the last ten years, absolutely phenomenal. Importantly, at 25 euro, it is affordable.

He suggested serving it slightly chilled and acknowledged a suggestion that it was great with cheese. “But not just with cheese. Try tarte tatins, pour it over vanilla ice-cream. Once opened, it should last for no more than two or three hours, but it will keep for four to six weeks!”

Chris, who was quite busy over the weekend, rounded off this informal and informative event with a great description of the foot treading (bunions and boils and all), a practice that is still current in Taylor’s. They feel it does the job better, is easier on the grapes. Mechanical methods, for instance, can break the pip and release unwanted elements, the human foot does not break the pip.

So now we've come from the cathedrals of the bodegas to the down to earth practices of the lagaar. Fascinating stories behind all of these fortified wines brought to us by a terrific panel and also via the four superb examples in our glasses. Here’s to the winemakers of the past and the pleasures of the present, and hopefully, if enough of you join the crusade, of the future. Sláinte.

Chris Forbes (Taylor's Port) and, right,
Leslie Williams (Irish Examiner)

Sipping Beer and Cider in a Tractor Shed. At the Ballymaloe LitFest

Sipping Beer and Cider in a Tractor Shed

At the Ballymaloe LitFest

Dungarvan's Claire takes the mike at the Beer and Cider event.

“Three years on and it feels like a lifetime,” said Scott of Eight Degrees Brewing at last Sunday’s Irish Craft Beer and Artisan Irish Cider event at the Kerrygold Ballymaloe LitFest. The rapid pace of the craft brewing industry in Ireland has astonished many of us, not least those pioneers (excuse the dry pun) directly involved. “Consciousness has been raised now,” said Claire of Dungarvan Brewing Company. “It is an easier sell.”

Moderator John Wilson (of the Irish Times), who prefers his on draught, is delighted with the progress and is as surprised as anyone else. “Beer and cider are now appearing in restaurants. No excuse though for pubs and off licences not having them, even if it is just the local brews.” And so say all of us.

“The industry is one of experimentation,” continued Scott. “We take a risk in producing, the customers in trying a product. We tend to help one another in the industry as one new tasting leads to the tasting of other craft beers, one of the encouraging aspects of the business. We are trying to create a community of consumers who are highly experimental, making one off batches, full of flavour, being innovative. The consumer's interest has to be held.”

Simon Tyrrell, who produces Craigie's Cider with his partner Angus Craigie, says the cider world has a different approach. “The reason is that we have just one crop, one shot a year. Ours is very seasonal. The demands are different to beer, indeed more like wine. Cider looks to express the best qualities of the fruit, show where the nuances lie.”

Eloquent as Simon was, and always is, the best speech from Craigies came in our first tasting of their fabulous Dalliance, made from 100 per cent dessert apples (three different types). “It has been left on its fine lees for 15 months and then a little re-fermentation to give it sparkle.” This just has to be tried. It is so different with great apple flavours and a long dry finish. Superb!

Four to Taste

Then we were on to the beers and a taste of Dungarvan Copper Coast Red Ale. The red comes from the Crystal malt and the beer has “more of a malt profile”. It is sold in restaurants. I regularly come across it there and it certainly goes well with food.

Ballymaloe's Colm McCan
worked tirelessly over
two long days in
the Drinks Theatre
(a converted tractor shed).

The experimental nature of the craft beer industry was certainly underlined by our next beer, call Gosé, made by the Brown Paper Bag Project, Irish brewers without a brewery but who travel home and abroad and hire out or collaborate with existing brewers.

This beer was made in partnership with the local brewery on the Danish island of Fanoe in an ancient German style called Gosé. It uses 53% wheat and 47% barley along with the addition of sea salts and coriander. It has cider like characteristics and the acidity and salinity are prominent. Very good with oysters!

We finished off with one of the first of the second wave of Irish beers, Howling Gale Ale by Eight Degrees. It was important that the Mitchelstown brewery, then operating out of a cottage, got this right. They sure did set the standard and yesterday’s tasting shows it has stood the test of time and is still up there with many new ale rivals, both local and national.

Great to have the choice but Scott could do with a great choice of hops. The hops he uses are imported. “Hops are not grown commercially in Ireland,” he said. Now, with the industry mushrooming, hop growing must surely come next. Indeed, I think there are green shoots in Tipperary, White Gypsy the folks responsible.

Happy Gaggle of Wine Geese at BT. Last of 2013 Events

Happy Gaggle of Wine Geese at BT

Last of 2013 Events

The last of the 2013 Winegeese events, celebrating Irish connections to the wine industry worldwide, was one of the best. Last night, at the Ballymaloe Pop-up Wine Shop in Brown Thomas, Limerick’s Dermot Sugrue of Wiston Wines in the South Downs and Wicklow winemaker Simon Tyrrell in the South Rhone were the stars of the evening, delightfully hosted by John Wilson of the Irish Times.

John’s well judged interventions were sprinkled with some wine wit by Cork’s own Maurice Healy, an ex Christian Brothers pupil, then a barrister and author. Healy, born here in 1887, moved to London after WW1 and it was there that his interest in wine flourished. Besides writing (often rather wickedly) on the subject, he also contributed to radio programmes and indeed Winston Churchill was one of his fans.

Dermot Sugrue started the evening, and a lovely one it was, with his own wine: Sugrue Pierre. He dabbled in beer and wine at home in Limerick as an adolescent before going to learn the ropes at Plumpton College in the UK. He started his wine making career at the famous Nyetimer, also in the UK.

Dermot with Ted Murphy

In 2006, he decided to leave in order to fulfil his ambition of establishing a new winery in West Sussex, in collaboration with the Wiston Estate's Harry & Pip Goring. This wine though is his own, a blend of the classic champagne grapes, and awarded an unprecedented 96 points, the highest ever for an English Sparkling wine. It is a gem for sure.

He was at pains to point out that while the English wine is similar to champagne the local winemakers are all keen to stress that it is essentially an English sparkling wine, with its own character, and not a mere copy. They are to some degree helped by the natural conditions which results in low yields and very high concentration.

This was all underlined with his next wine, the 2011 Wiston Sparkling Rosé. This, newly released and in a miniscule quantity (compared to the big houses), had “great flavour, great intensity, all from a great year”.

Simon making a point!

Simon Tyrrell didn’t admit to any adolescent attempts at beer or wine making but he too ended up at Plumpton College before he and wife Emma set up their own wine importing business in Ireland in 2003, Tyrrell and Company.

Simon has a particular focus on the Rhone valley and it was there that he eventually achieved his ambition to do more than buy and sell wine and began to make his own. And the wine he showed last evening was the one he wanted to make, a good simple Cote du Rhone: Les Deux Cols “Cuvée d’Alizé” 2012.

Made with a blend of 55% Grenache 35 Syrah and 10 Cinsault, it is simply very good with a “great savoury balance”. Might well be one for the Christmas dinner. John Wilson wrote of the 2011 bottle: “An exceptional wine for the price, with wonderful fresh but rounded dark berry fruits, herbs and black olives. It has the substance to stand up to the full range of flavours but won’t dominate proceedings.”

John Wilson enjoying the craic.

John Wilson himself didn’t come empty handed. His first wine was the 2009 L’Abbeille de Fieuzal (Pessac Leognan), the second wine of the estate. Second wine but not second class. Made with 60% Merlot, 33 Cabernet Sauvignon and 7 Cabernet France, it “is a very good example of the vintage”.

Then we moved on to the Barton family and John told the story of a tasting he attended there where the big dog invariably tried to catch the spit of wine bound for the free standing spittoon on the floor of the tasting room. Wonder if that dog stayed sober.

Any dog that strayed into BT last evening would have left thirsty as we tasted the first Barton, the L’Impression de Mauvesin Barton, a lovely Medoc mix of mainly Merlot,with the two Cabernet grapes. And that was followed by a gem from St Julien, La Reserve de Leoville Barton 2008, a smooth elegant blend of 73% Cabernet Sauvignon, 23 Merlot and 4 Cabernet Franc.

Colm, Beverly and Mauirce

And we finished off with a wee drop of Cognac. No, not Hennessy as you might expect, but Delamain. The original company was founded by Dubliner James Delamain but had its ups and downs after his death in 1800. Nowadays, it is one of the few family owned Cognac producers and is based in Jarnac. Despite the Irish connection, you won’t be able to buy it here but do watch out for it in duty free shops where the Pale and Dry XO turns up.

What will turn up in the Winegeese series next year? The three person committee – Colm McCann, Beverly Mathews and Maurice O’Mahony – are determined to keep it going. I’m told a major Californian vineyard will be in Cork in February. Watch this space! For now, well done to the three and their helpers and distinguished guests (local wine historian Ted Murphy was present again at BT). Joyeux Noël et bonne année.

Three wine fans at Brown Thomas last evening.