Showing posts with label Wine. Show all posts
Showing posts with label Wine. Show all posts

Wednesday, March 8, 2017

Four from the north of Italy. Dark and Handsome

Four from the north of Italy
Dark and Handsome

The first three wines are all "related" in the sense that they come from the same three grapes: Corvina, Rondinella and Molinara. All four wines come from the north of Italy.

Fasoli Gino, La Corte del Pozzo Bardolino (DOC) 2013, 12.5%, €15.49 Mary Pawle Wines

Bardolino is the lightweight sibling of Valpolicella (made from the same three grapes: Corvina, Rondinella and Molinara). The wine is named after the village on the shore of Lake Garda. If you know the village - quite a few Irish holiday here - you probably know the wine type.

Ruby is the colour, light and bright. A hint of rose in the colour and also in the aromas, a mixture of fruity and floral. And the same elements continue to combine to deliver a good and harmonious result in the mouth. A lightweight perhaps but a rather delicious one and Highly Recommended.

It is an organic wine and the grapes are cultivated by members of the Associazione Cumunita’ dei Giovani, young adults with special needs. See review of the Gino Valpolicella from last July here.



Costa Mediane Amarone della Valpolicella (DOCG) 2012, 15%, SuperValu

This is a blend of Corvina Veronese, Corvinone, Rondinella, Molinara from the Valpolicella area of Veneto in the North East of Italy. It is “good at the table” and they recommend trying it with red meat, mature cheese. Serve between 14 – 16 °C.

It is ruby red with a slightly lighter rim and has pleasing cherry aromas. On the palate there is a concentration of fruit, some spice too, fresh and delicious with some sweetness. The high alcohol is smoothed right down in a medium to full body; it is easy drinking with a good dry finish. Highly Recommended



Sartori Valpolicella Ripasso (DOC) Superiore 2014, 13.5%, SuperValu
For centuries, Veneto winemakers have used various techniques to improve the depth and complexity of their wines. Ripasso is one method and you may see the full details here.  

This Sartori is made from a blend of local grapes and Corvina is the main one with Rondinella and Molinara also in the mix.


Aromas from this ruby red wine are of fragrant cherry, intense and persistent. On the palate, it is fruity and spicy, lively and delicious, sweet notes too, and then a long dry finish. Medium bodied and easy drinking it is Recommended.


Rovero Lajetto, Monterrato (DOC) 2001, 14%, €19.00 Mary Pawle Wines

This 100% Pinot Nero has spent 12 months in French oak and a hell of a lot longer in the bottle. So be sure and decant this Italian and let it hang for a few hours. The 15 year old will be all the better for it. It will look brighter, feel fresher and taste better.

Colour is a dark red, the rim a shade lighter. Dark and moderate fruit aromas are followed by a well-rounded palate; tannins are fine at this stage and the finish is long and dry, not bad at all for an old fellow. Not too sure it is worth waiting for all this time but it is certainly a very pleasant and decent wine and Highly Recommended.


Monday, February 6, 2017

Irish Focus at Australian Day Tasting. Classics and New Wave Impress

Irish Focus at Australian Day Tasting
Classics and New Wave Impress
I was determined to concentrate on the Focus Table, this year featuring a selection of 31 wines by Irish wine personalities who have a keen interest in Australia, including Liam Campbell, Martin Moran, Harriet Tindal, Colm McCan (Ballymaloe) and Gavin Ryan (Black Pig, Kinsale). The figure was supposed to be 24 wines but it did get extended!


Laura Jewell MW, Wine Australia Head of Market EMEA, said:  We hope this new section adds an extra dimension to this year’s event. Having looked at the nominations, these wines really do highlight the diversity of Australian wine and reinforce the country’s reputation as a premium wine producer.” 

The promise, and it was kept, was that “great classic wines from the likes of Cullen, Clonakilla and Bindi will be on show, plus new-wave artisans like Jauma, Ochota Barrels and Gentle Folk”.  

So the signs were good as I arrived at the Royal Hibernian Academy and sought out the Focus Table. And I made a sparkling start with the House of Arras ‘EJ Carr Late Disgorged’ Tasmania Chardonnay Pinot Noir 2003. Fresh and vibrant, an amazing sparkling wine.

Then followed a string of young Rieslings, including the Josef Chromy ‘SGR’ Tasmania Riesling 2016 with an ABV of just 7.5% and a delicious Skillogalee Clare Valley 2015 by Dave Palmer, “mineral, dry and crisp” as noted by Gavin Ryan from Kinsale’s Black Pig who selected it.

The Tyrrell’s Vat 1 Hunter Valley Semillon 2011  was superb, “intense and complex, but elegant and refreshing” noted Martin Moran. It was all good around here and the standard was maintained by the Bird in Hand Adelaide Hills Grüner Veltliner, the grapes picked in the cold of the night to retain flavour and freshness.

Maximum drinkability and enjoyment is the aim of the producers of the Gentle Folk Forest Range Adelaide Hills Pinot Noir 2015, the first of the reds and the first of Ballymaloe's Colm McCan’s selections for the table. I reckon the producers got it right as did Colm.

There were quite a few Syrah and Shiraz at this point, all very good including the Payton and Jones ‘Major Kong - Planet of the Grapes’, Yarra Valley 2015. My favourite though was the blend: De Bortoli ‘La Boheme Act Four’ Yarra Valley Syrah Gamay, imported by Febvre and a Liam Campbell pick. 

The Colm McCann selection, Jauma ‘Audrey’ McLaren Vale Shiraz 2015, is produced biologically and intrigued with its “cider-y” notes.

Some excellent Grenache on the table too including Ochota Barrels ‘The Fugazi Vineyard’ McLaren Vale 2015, the Willunga 100 McLaren Vale 2015, and the Cirillo ‘1850 Ancestor Wine’ Barossa Valley 2011. The Cirillo was chosen by Ian Brosnan of Ely and he admitted that, until recently, he had never tasted Grenache of this quality.

And quality too, at a very good price, in Kevin O’Brien’s Kangarilla Road Terzetto, a McLaren Vale blend of Sangiovese, Primitivo and Nebbiolo. It is a favourite of mine, was chosen by Liam Campbell and is available at O’Brien Wines.

Perhaps the best blend of the lot came towards the end: the Cullen ‘Diana Madeline’ Margaret River Cabernet Blend 2014, imported by Liberty Wines and nominated by Gavin Ryan who has fond memories of enjoying it at a full moon harvest party in Margaret River.

Time then for a chat at the Liberty Wines stand with Garry Gunnigan and new recruit Marcus Gates and a tasting of their sweet wines before heading into the general wine area.

Here we soon met up with Jonny Callan of Cabroso Wines who import the Kelly’s Patch range to Ireland and we hope to link up in Cork soon and find out more about the company.

Having concentrated on the Focus Table we missed out on many stalls, including McGuigan where they were tasting the impressive Founder’s Series that I enjoyed in Kinsale a few months ago.

Hard to go wrong with the Deakin Estate and Katnook Wines that are imported by Findlater (and available in Cork in Bradley's and other outlets). 

Next time I'm up in North Main Street, I'll be looking at some of the Penfolds that Laura introduced me to at the Findlater’s stand. Both the Bin 2 South Australian Shiraz Mataro (that is what the Australians call Mourvedre) 2012 and the Bin 28 South Australian Shiraz 2011 impressed.

With Marcus (Liberty Wines)
Been writing this and wondering how the Australians get to name their wines. Heard a good story from Michael at the Lanchester Wines stand as we sampled the excellent ‘Don’t Tell Gary’, a McPherson Shiraz 2015 from the Strathbogie Ranges. 

This wine is a labour of love - one the accountants didn't know about.  In 2014, winemaker Jo Nash discovered an exceptional parcel of Shiraz from the Grampians which she gently crushed, then tucked away in some ridiculously expensive French oak barrels to age for 12 months.  

All the while, she was urging her fellow employees: “Don’t tell Gary”. No one did tell Gary, her boss. Now the wine speaks for itself - minimal intervention, purity of fruit, Shiraz at its best and Jo has been given free rein to investigate other possibilities in the vineyard!
John (left) and Michael at Lanchester Wines
See also earlier article on great selection of fortified sweet wines at the tasting here.

Sunday, January 29, 2017

From Sharecroppers to Entrepreneurs. The Modern History of Italian Wine

From Sharecroppers to Entrepreneurs
The Modern History of Italian Wine

At a lunch last April in West Cork, Italian winemaker Elena Pantaleoni (La Stoppa) told me that farmers were , not so long ago, looked down on in Italy, that her farmer brother had to leave Italy for France to gain some respect in his chosen profession. I was just a few pages into The Modern History of Italian Wine (edited by Walter Filiputti) when I was reminded of that conversation in the Good Things in Skibbereen.

“The modern history of Italian wine, which began to take shape in the late 1960s and the early 1970s, is the finest page ever written by our agriculture.
It gave birth to the most important agrarian revolution, in a few years turning poor farmers into entrepreneurs whose bottles are now found worldwide. ‘Contadino’ (peasant/farmer) was a derogatory term, sometimes used offensively. Until the 1970s, it was very difficult for a farm/peasant boy in the Friuli countryside, for example, to marry outside of his social class.”

In those few transformative years, a new awareness of public health emerged and production processes, previously heedlessly helped by chemicals, was enhanced by the arrival of “cold technology, laying the groundwork for mechanical oenology or knowledge”

And then the US market took off for Italy, helped hugely by the Italians in the states, in their restaurants in general and by Robert Mondavi in particular. The fascinating book takes us through the decades that followed and “is a history of labour and creativity that is all Italian, something to be proud of”.
Other famous names emerged in Italy. And famous wines too, such as the “Super Tuscan” Tignanello, Sassicaia (100 points from Parker for 1985 vintage and another Super Tuscan), Castello Banfi’s Brunello (which established itself as “a symbol of Italian quality in the wider world”.

The US market was becoming increasingly important and “indeed began to drive the industry”. In the 1990s, Angelo Gaia, another leading figure in the renaissance, noted the change in America: “they were understanding our fine clean wines”.

There were many breakthroughs including the Masi’s innovative Ripasso method and Campofiorin, a Super Venetian and “the inspiration for a while series of wines". 

And then came the setback of the methanol scandal in 1986 when over twenty people died. But Italy acted quickly to tighten quality controls. And the renaissance continued, moving the industry ever further from chemistry towards sustainability.

And that progress is being marked on the landscape (on it and under it) by some amazing wineries, quite a few of them illustrated in the 400 page book. Most of us know the very spectacular wineries of Spain but they are matched in Italy. 

Just take a look at some of my favourites, the L’Ammiraglia in Tuscany, the Cantina Khamma and the Feudo di Mezzo (both in Sicily), the Petra in Tuscany, La Brunella in Piedmont, and Cantina Jermann di Ruttars in Friuli.

There are separate chapters on the 60s, 70, and each decade right up to the present. Here the winemakers who were prominent in each decade are mentioned. Just two hundred or so in all, so many will be disappointed but the editor says the book is dedicated “to all Italian vintners” and also to those not mentioned (who are asked to “please be understanding”).

Factors leading to the breakthrough in the 60s were the controversial introduction of the DOCs in 1962 and the abolition of sharecropping in 1964. Many sharecroppers left the countryside and the old vines (and many native varieties) were at risk. But many former sharecroppers became modern farmers and many entrepreneurs joined them in the vineyards.

Fontanafredda, many of whose wines are available here (Karwig Wines, for example), go back a bit further than the 60s and the estate was, in 1858, part of the heritage of King Vittorio Emanuele 11.  They were making excellent Barolo at least as far back as 1924. In recent times, “the property passed to another visionary, Oscar Farinetti, who revitalized its sale and the commercial image of this brand which today, with its 90 hectares and concessions, produces about 7.5 million bottles”.

In the early 70s, “we saw the beginning of the long process that would lead knowledgeable oenology to drive the chemistry away from the temple”. As Piero Antinori said: “Modern technology simply allows us to express our full potential”. Leonildo Pieropan figures prominently in this decade. In 1971, he produced the Soave Calvarino and in 1978, Soave La Rocca, aged in wood, “another revolution for his territory”.  Liberty Wines import the wines of Pieropan to Ireland.


The “mastery of oenological science” put the Italians in position to tackle global markets and, despite the methanol setback, they did so in style during the 80s. But Angela Piotti Velenosi first had to conquer her local area of the Marches and Piceno where only cooperative wineries and bulk wine reigned. 

Angela and her husband founded their winery in 1984 starting with just five hectares. Three decades later, the vineyards stretch to 105 hectares and produce 2.5 millions bottles, “of which a large share is exported to five continents”. Quite a lot it makes its way here to Ireland and Karwigs have quite a selection.

In the 1990s, Italian winemakers, who had mastered the technology, began to look at their vineyards “as the source of better quality. Viticulture took its place again at the centre of the wine system.” Italy was flying in world markets, Brunello di Montalcino “a symbol of this extraordinary success”.

The islands of Sicily and Sardinia are major players in the Italian wine industry yet one of the smallest producers is among those chosen to represent the 1990s. “One label, one wine and a success for twenty years”, the Galardi estate is on the slopes of..an extinct volcano. The four owners started to recover the old vineyards in 1991 and now produce, organically since 1997, some 33,000 bottles of IGT Roccamonfina Terra di Lavoro, a blend of Aglianico and a small percentage of Piedirosso, “the essence of the south”.

Sustainability was the model to follow as the new millennium dawned. Wine tourism too began to build and, speaking of building, famous architects designed inspiring wineries. And who do I see listed as one of the “representatives" of this decade? None other then Colutta (Friuli Venezia Giulia) whose owner Giorgio Colutta visited Cork last year.
Giorgio (right) in Cork last year.

Giorgio explained that he is not organic (that's easier to do in the warmer south!) but this former pharmacist has introduced environmentally sustainable cultivation techniques and is self sufficient with regard to energy consumption. His is a small company but has reached out around the world, especially to the Far East. Fortunately he is on the books of Wines Direct where you may purchase his amazing Pinot Grigio and the even more amazing Schioppettino. 

The Schioppettino grape variety is from the local area and has a history there dating back to at least the 13th century. Giorgio told me the name means “little bang”, the sound the grape makes when you pop a ripe one into your mouth!

The chapter on the current decade features Up and Coming winemakers and ideas. The future may be in the past if the exploits of father and son team, Pasquale and Umberto Ceratti, are anything to go by. In Calabria, they make “precious wine with ancient methods”.  Following these antique methods, they make a few thousand bottles of Greco di Bianco from a vine that came with the Greeks in the 8th century BC.
Elena Pantaleoni (front, 1st left), at lunch in Skibbereen

So back to Elena and her vineyard La Stoppa. Her family bought the old place in 1973, and revived the vineyards and the winery. Nowadays, using organic methods, La Stoppa specialises in the production of wines derived from the local varieties: Malvasia di Candia Aromatica, as well as from Barbera and Bonarda, in addition to the wines derived from the historically introduced varieties of French origin: Cabernet Sauvignon, Merlot and Semillon. Beautiful wines from a beautiful place and available here from Le Caveau. Just thought I'd get that in, even if the editors couldn't!

Divided into three parts (“The Renaissance of Italian Wine,” “Italian Wine. Innovation” and “The Geography of Italian Wine”), the book narrates a never-before-told, all-Italian story of hard work and creativity. It leads readers on a journey through the sun-drenched regions of Italy, a country that has dramatically revamped its wine-growing and vinification procedures since the 1970s. All in all, it is a marvellous book, full of detail and passion, and well illustrated too.

  • Just one criticism: While there are indices for winemakers and another for names, there is no overall index. If I want find Valtellina (which is mentioned at least three times), for example, I just have to go through the whole book. Why Valtellina? Well, we had an Italian night in the Farmgate in 2015 and the wines came from there as does Farmgate front-of-house Mirco! The Italians and their wines are everywhere - thankfully. 
  • The Modern History of Italian Wine is edited by Walter Filiputti and is published by Skira. It is available from Eason's (€58.80) and online from the publishers (€46.75).  

Wednesday, January 18, 2017

Ribera Del Duero. Special Land. Special Wines

Ribera Del Duero
Special Land. Special Wines

Tempranillo, in many Irish people’s minds, is the grape of Rioja. And it is. But, now, the bodegas of Ribera Del Duero, all 300 of them operating over 22,400 has of vineyards, are also laying a strong claim to the grape by making some excellent wines with it.

Wine has been produced in this beautiful region since Roman times, though it became well known outside of Spain only in the 1990s. North west of Madrid and south west of Rioja, in the Castilla y León region, the vines grow on a flowing swathe of land that’s approximately 115 kms long and 35 kms wide. 

The vast majority (including Fuentenarro, near La Horra) grow in the province of Burgos but some too in Segovia, Soria (Antidoto, for example) and Valladolid. See the map here

Two related factors that make Ribera different are the average altitude of 850 metres and the big variations in summer between the heat of the day and the cool of the night. The heat of the day promotes the ripening, the chill of the night preserves acidity. 

This is a land of sudden storms, dismal winds, intense frosts (often in late spring), a hot (42 degrees in summer, though it can dive to minus 29 in winter) and dry environment. 

But the best wines are often made in extreme conditions, on the edge between possible and impossible, and I think we have two very good examples below, even if neither is a Crianza or Reserva.

Fuentenarro Vendemia Seleccionada, Ribera del Duero (DO) 2011, 14%, €23.70 Le Caveau

This one hundred per cent Tempranillo is from old vines (average age 56 years) grown at 840 metres with organic principles applied. It spends 12 months in French and US oak and a further twelve in bottle (in a cellar 8 metres underground) before release.

It has a very dark ruby colour. Aromas are complex, plum and other dark fruits, chocolate notes too. You find the same dense combination on the palate, spice too; it is soft and smooth, with tannins very much in play and boasts a long and dry finish. Needs food though, venison perhaps! Highly Recommended.

Hernando y Sourdais Antidoto, Ribera del Duero (DO) 2011, 14.5%, €22.15 le Caveau

Again, organic principles are employed and other similarities with the Fuentenarro include old vines, ancient (60 year old Tinto del Pais, the local name for Tempranillo), grown between 750 and 1000 metres.

And yes, Antidoto means antidote, as winemaker Bertrand Sourdais envisages this creation as an antithesis of big heavy “international” style Ribera wines. You’ll find a much more prosaic dictionary meaning on the label. The wine has matured for 12 months in barrels, previously used to make Haut Brion.

The colour is a very dark but glossy red. Aromas are a mix of plum, blackberry and spice. On the palate, it is noticeably very smooth; the plum and blackberry combine, spice again, tannins too (not as obvious as in the Fuentenarro) and a dry persistent finalé. Smooth and elegant, a most delicious “medicine”, and Very Highly Recommended.

You'll note both wines above are 2011. It was a good year!

 JESÚS SASTRE'S GUIDE TO VINTAGES IN RIBERA DEL DUERO

  • 2004. “Outrageously ripe”. Reds had low pH and very high alcohol levels, up to 16%”. 
  • 2005. “Fantastic vintage, one of the best in the past 15 years with balanced alcohol levels”.
  • 2006. “A good, abundant vintage, yet fine and balanced. Relatively early expression but it is coming along well”.
  • 2007. “Awful. We suffered hail and then frosts in September.  Out of our top reds we only produced Pesus, which didn’t reach 14.5% of alcohol. Production was very low”.
  • 2008. “A very cool vintage, grapes hardly ripened and botrytis was an issue”. No premium reds were made. Their grapes were destined to the Crianza and those usually used for the Crianza went to the entry-level Roble.
  • 2009. “Acidity was a bit low, but it was a remarkable vintage”.
  • 2010. “Cool, high-acidity vintage but with no botrytis at all. Very good”.
  • 2011. “A really great vintage and the very best since 2005”.
  • 2012. “A balanced vintage but it didn’t reach the level of the more powerful 2011. Wines were really easy to make and I find our Crianza outstanding”.
  • 2013. “Very much in line with 2008, perhaps worse”.
  • 2014. “Mind-blowingly good; all the grapes were fine and we had quantity as well; it could be as remarkable as 2005 and 2011”.
  • 2015. “Another good, easy vintage for us, perhaps more tannic and less abundant than 2014, but the quality is high”.
  • 2016. “Similar to 2015 and to 2006; the wines show good balance”.
  • An extra tip: “Vintages finished in ‘7’ have a poor reputation in the area: 1967, 1977 and 1987 were very bad: 1997 was even worse; 2007 was terrible”. Could 2017 break the trend?
This guide is taken from a recent edition of The Spanish Wine Lover. Much more info on Ribera here

Monday, January 9, 2017

Three Classy Reds. Don't judge a book by the cover!

Three Classy Reds

Don't judge a book by the cover. The plain label on the Gamay could well lead you to believe this is a bottom shelf wine whereas it is anything but. Perhaps, especially if you bought bottom shelf Moroccan wines on French holidays years ago, you wouldn't be expecting a great deal from the Volubilia but it is a lovely surprise. And no surprise really with the Italian. You'd expect this to be good and it is very good indeed.


Clos du Tue-Boeuf Gamay 2015, Vin de France, 12%, €18.85 Le Caveau
Light red, fairly typical of the grape, is the colour of this natural beauty. The aromas are of strawberries and raspberries. On the vibrant palate, you'll find the same mix of fruit flavours, with a light tang of cider apples; it is light and fresh and smooth for sure, fine tannins and then a long finish.

The two Puzelat brothers, regarded, by Jamie Goode, as “natural wine royalty”, mature this for 4-6 months in large wooden vats. The organic grapes are bought in from trusted local winegrowers in the Loire. “The wines are quite unique, highly expressive of their terroir, authentic, filled with life and have a very strong personality.” That lively personality is very evident, pleasingly so, in this example and it is Very Highly Recommended. By the way, it is neither filtered nor fined, so do decant!


La Zouina Volubilia Classic Red, Morocco 2012, 13.5%, €22.95 Le Caveau

This is a relatively new French run chateau. Bordeaux know-how plus freedom to experiment has helped produce this excellent result from a blend of Cabernet Sauvignon (50%), Syrah, Mourvedre, and Tempranillo.

Colour is medium red. And the aromas include warm blackcurrant. It is medium bodied, smooth and fresh, well endowed with concentrated berry flavours, medium spice, fine tannins. It is well balanced with a long and juicy finish. A surprise from Africa and Very Highly Recommended.

Ascheri Coste & Bricco Barolo (DOCG) 2010, 14.5%, €47.00 (down to 30 in recent Fine Wine sale) O’Brien Wines

No surprise that this one was good as I had tasted it at the O’Brien Wine Fair in Cork. Nebbiolo is the grape here. Made from two select plots from Ascheri’s single vineyard, this is their top cuvée. 

The wine has spent 26 months in Slavonian barrels, six months in steel and a further nine in bottle before release. According to Grapes & Wines, Italian Nebbiolo ages better than those of California and Australia. And indeed the producers reckon this will last for 18 to 20 years if kept in a cool dark place.

I couldn't wait that long to tuck into this garnet coloured wine. Small red fruits feature in the aromas, also some herbal hints. It has a palate full of rich flavours, spice too and an acidity that helps put all in harmony. This elegant and inviting wine is Very Highly Recommended.


They, Ascheri, recommended matching it with hard mature cheese, pheasant, pigeon, roast lamb and beef, Mediterranean vegetables. I've tried and tested it here with Parmesan and Walnut crusted rack of lamb with roasted vegetables, the lamb bought at our local craft butchers, Davidson’s of Montenotte, Cork.

Wednesday, December 21, 2016

Love Red? Three of the Best.

Sainte Croix Magneric, Corbieres (AC) 2012, 14.5%, Mary Pawle Wines

Fruit, spice, and power feature in this well-balanced blend of Carignan (42%), Grenache (29) and Syrah (29). The vineyard, run by an English couple, Jon and Elizabeth Bowen, has been organic since 2008 and they recommend pairing it with anything from Spiced lamb tagine to Roast venison.

This is a dark, medium to full bodied, wine with ripe dark fruit aromas to match. That fruit, spice too, on the palate, concentrated, with outstanding freshness, tannins soft and ripe and no slacking off in the long aromatic finalé. Power and elegance in the one package and Very Highly Recommended.

We had another beauty from the same vineyard a month or so back. Check out Le Fournas here

Il Grigio da San Felice Gran Selezione Chianti Classico (DOCG) 2013, 13.5%, €34.95 (27.95 in recent sale) O’Brien’s Wines.

Made from “our finest Sangiovese (80%), enriched with other ancient indigenous varieties”, the result is a superbly complex wine of great elegance and concentration. Just 40,000 bottles are produced of this particular wine which has an ageing potential of 15 years. It has been aged for 24 months in mixed oak plus 8 months in bottle. 

Sangiovese, also known as Brunello and Bonarda, is a top red grape in Italy. Tuscany is its home but it is grown all over Italy, also in the US, Australia and Argentina.

Colour is medium red and the aromas feature ripe red fruit (strawberries, cherries). There is terrific concentration in this medium-bodied gem, spice too and a superb acidity to balance and it boasts a long dry and spicy finish. Very Highly Recommended.

Matches suggested are red meat, pasta and pizza. You could also do as I did and try it with cheese. I had Carrigaline, both the original and the smoked, and all got on very well together!

Jerome Quiot Cairanne Côtes du Rhone Villages (AC) 2014, 13.5%, €18.30 Karwig Wines

The family Quiot began their wine story in the Vaucluse when they acquired a few hectares there in 1748, so the nod to tradition is to be expected. This wine is made from the traditional grapes of Grenache, Syrah, Mourvedre and old vines of Carignan. Old style vinification too in tanks and oak barrels.

Colour is a lovely ruby and there are raspberry and cherry in the aromas. On the palate, it is fruity for sure, spice also, a very good depth of flavour, nicely balanced; the tannins are close to smooth in this medium bodied wine and there is an excellent finish as well. It packs quite a punch for such a smooth wine and is Very Highly Recommended.




That noticeable acidity helps make it a good food wine, lamb, roasted meat and cheeses are recommend by the producers. I found it a terrific match with Moussaka, especially the version made using this recent recipe from Dublin's Tang Restaurant in association with Glenisk - see the details here.