Sherry Babies. Two of the Best.

Two of the loveliest sherries I've come across recently, each available in the convenient half-bottle size (37.5cl). These are for drinking now and not to be left in the opened bottle until next Christmas!

Sanchez Ayala Manzanilla (DO) “Gabriela” NV, 15%, €11.35, 64 Wine Dublin, Bradley’s of Cork, Greenman Dublin, Le Caveau Kilkenny

The fruit comes exclusively from their Los Cañas vineyard. Miguel Sanchez Ayala has been the source of the exclusive Equipo Navazos’ La Bota series over the years, another strong sign that the pedigree is faultless as Equipo Navazos are known to be fastidious, indeed forensic, in their search for the best.

The wine is raised in Sanlúcar de Barrameda, as all Manzanilla must be. It has spent some six years in solera and minimally filtered before bottling.

Colour is a light gold and the aromas hint of the flor and the sea. These characteristics appear too on the palate, fresh, salty and an absolutely satisfying wine with a persistent finish - you’ll find yourself licking your lips long after the final drop! Very Highly Recommended. Well priced too, by the way. 

If you were growing up in the area in the 1880s, you’d have come across Gabriela, a famous flamenco dancer and singer. She married a bullfighter and her sons became bullfighters too, one the legendary Joselito, fatally gored in the ring at the age of 25.

Lustau Oloroso Don Nuno sec Sherry (DO), 20%, €15.99 Bradley’s Cork

As we move from Manzanilla to Oloroso we jump up in the ABV. Lustau recommend serving this one slightly chilled with game dishes, dried fruits and cured cheeses. Great too as an aperitif. Either way, a little sip goes a long long way.

A few years ago at a sherry dinner in Ballymaloe, Lustau’s Manolo Lozano (RIP) told us the wine here has been selected from the start to be Oloroso so there is no flor at all. “Then we develop what we want. It is a very good wine, a strong wine for red meat, for game. Hard to match!” Ballymaloe chef Scott Walsh came up with a superb pairing: Braised Ox Tail with Romanesco, tomato, lentils.

Colour is a mid to dark bronze (the darker the colour, the longer it has been aged). Predominantly nutty aromas; nutty too on the rich concentrated palate where spice also appears; then a long persistent finish, like the tide, it just keeps coming in. Full bodied and well rounded, this is a superb wine and Very Highly Recommended from another well recommended source.

Two Outstanding White Wines

Carl Ehrhard Rüdesheim Bischofsberg Riesling trocken 2015, Rheingau (Germany), 12.5%, €19.65 Karwig Wines

I’ve long been a Carl Ehrhard fan and that continues after sampling this Riesling trocken from Bischofsberg, one of his vineyards. It has lovely bright gold colour. Apples feature in the aromas. This enticing crisp wine sees apples also in the flavours, a lively acidity too and then that minerally finish. This is a food friendly wine, Asian food and cheese are among the suggestions. Excellent too on its own and Very Highly Recommended.

If you’re new to German wine, you may need help with some of the words on the label:
Rüdesheim is the town.
Bischofsberg is the vineyard, named after a local archbishop.
Riesling is the grape.
Trocken means dry.
Rheingau is the wine district.
Ehrhard - you’re on a winner!



The vineyard has a gentle south-facing slope and the area in general is well known for its dry Rieslings - “full bodied with racy acidity”.

Yves Cuilleron á Chavanay “Les Vignes d’a Coté” Marsanne 2015, 14%, €17.95 64 Wine Dublin, Bradley’s of Cork, Greenman Dublin, Le Caveau Kilkenny

The Marsanne fruit for this Vin de France comes from an uncle’s vineyard revived by the return of Yves Cuilleron to Chavanay at the northern end of Saint-Joseph, one of the eight Northern Rhone crus.

If you like this, you are in good company as Victor Hugo was an admirer of Saint-Joseph wines. The main white grapes here are Clairette, Marsanne, Roussane, Viognier, Bourboulenc and there are two secondary grapes White Picpoul and Ugni Blanc.

Anticipation was high as I settled down with this. Cuilleron comes with high ratings: …superstar…leading light…bright shining star..are adjectives applied to him by leading wine writers and publications.

Colour is bright yellow with tints of green, limpid in the bottle. On the nose there are white fruits, hints of honey and light floral notes. It is round, rich with exotic flavours, a semi-creamy texture, acidity enough and a long dry finish. This fresh and generous wine over-delivers. It is a high quality entry level wine and Very Highly Recommended. Marsanne can age well but this one (all 18,200 bottles) is made to be drunk when it is young and fresh (sur le fruit).

Rosé and Low in the Garden. Summer Wine.

La Jara Rosato Frizzante Veneto (IGT) NV, 10% abv, €12.95 Karwig Wines GOOD VALUE

This frizzante is an organic wine, a special cuvée. No mention of Prosecco on this bottle though the grape is the Glera which is used in the region to produce the famous Italian drink, both spumante and frizzante. The cork is secured with string and this confuses some people, confused me up to a few years ago. There is a helpful diagram of a corkscrew on the top of the cork and you can easily open it with the regular one.

It is a very clean and bright pink in colour. There are very delicate aromas of strawberry and raspberry. Bubbles, except at pouring and for a short while afterwards, are scarce enough but do remember that this is a frizzante (semi-sparkling). There is a bubbly feel to it in the mouth and also a biscuity flavour along with some fresh and fruity berry flavours. This very pleasant wine is perfect as aperitif. Get in a few of these for summertime in the garden. Highly Recommended and good value too.

Domaine de Ménard Rosé 2016, Côtes de Gascogne (IGP), 12%, €12.25 64 Wine Dublin, Bradley’s of Cork, Greenman Dublin, Le Caveau Kilkenny

This is a blend of Cabernet Sauvignon, Cabernet Franc, Syrah and Tannat and the salmon pink colour has more depth than your normal rosé but with a bright sheen. Strawberry and floral notes in the aromas. No shortage of lively red berry flavours. It is fresh (harvest takes place at night) and full with excellent balance. One of the better rosés and Highly Recommended.

Serve it well chilled, they say, with Basque and Spanish cuisine. I’m sure we can come up with something Irish also. In any case, it is delicious on its own. 

La Stoppa Malvasia Dolce Frizzante, Emilia (IGT) 2016, 7%, €17.06 64 Wine Dublin, Bradley’s of Cork, Greenman Dublin, Le Caveau Kilkenny.

The Malvasia di Candia aromatica is the fruit for this moderately sweet bubbly wine. Single fermentation is via the Charmat method (also used in Prosecco). Note that the ABV is just 7%. Ripe melon and notes of honey come through on the nose.

Colour is a light straw, lots of micro-bubbles cling to the glass. Not that many bubbles and not for very long. It is frizzante, not spumante! Easy drinking (not a hint of cloying), moderately sweet (like a French moelleux), honey and fruity and a good finish. Gone up, in my estimation, since the previous year, so now Highly Recommended.

Frogs Attack #1. Do It Again. Soon!

Frogs Attack #1. Do It Again. Soon!

They came. They saw. They conquered. They, collectively the Frogs Attack, being two pioneering natural winemakers (Jean Foillard and Thierry Puzelat), a guerrilla chef (Antony Cointre) and a comedian (Sebastien Barrier) and they cornered their willing victims in a packed Latitude 51. 

Cork’s leading wine bar was the ideal venue for the French influenced evening. Beverley and her staff caught the informal spirit of the occasion perfectly and we wined and dined, and laughed a lot too. 

Hard to keep up with Sebastien as he roamed between the two floors. He even wandered outside at one stage, startling the customers by banging on the window and, with his phone, taking photos of the surprised faces. We were wondering was the ebullient funny man in trouble a few minutes later when a couple of cops appeared at the door but nothing to do with Sebastien!

May I introduce Jean Foillard to you, via Le Caveau catalogue: A vigneron like Jean Foillard doesn’t come around too often. Jean Foillard and his wife Agnès started their handkerchief-size domain in Morgon in the 1980’s when the majority of appellation, driven by big negoces, were (and are still) producing industrial wines. Undeterred by their surroundings, Jean and Agnès decided to embark on their own path. They returned to honest vine growing and wine making the way their grandparents did. The vines are grown organically. The same attention is paid in their cellar. There are no additives in the cellar to hide shortcuts in the vineyards because there are no shortcuts in the vineyards. The hand-harvested grapes are fermented using natural yeasts only. 

Cooking done and Le Gros relaxes 

And, quoting from the same source, Thierry Puzelat: Having met and worked with Francois Dutheil (Bandol) and Marcel Lapierre (Morgon), two pioneers of the ‘natural’ wine movement, Thierry decided he too, wanted to make his wines as naturally as possible. Puzelat’s wines are quite unique, they are highly expressive of their terroir, authentic, filled with life and have very strong personality.

Le Caveau borrowed, as we do here, this quote from Jamie Goode: ‘Thierry and Jean-Marie Puzelat—brothers—are natural wine royalty. They are making some of the Loire’s most interesting wines and are at the heart of the natural wine movement.’

Behind the counter: Jules and Beverley

And the wines really are superb. The night’s list: Thierry’s Clos du Tue Boeuf, blanc and rouge, and the three Morgons from Jean, all 2016, including his “Cote du Py” and the “Corcelette”. And to make things even better, they were available at shop (rather than restaurant) prices. A nice touch that!

According to his website, Antony Cointre, aka Le Gros, is not an ordinary chef, he is an enthusiastic cook. He does not have a permanent restaurant because he likes to change atmosphere and to touch lots of different audiences. …. making tasting meals in 10 steps at home for 6 or popular banquets of 650 people or even weddings in unlikely conditions. 

And Le Gros, in the tiny kitchen, came up with some tasty dishes at L’Atitude. They included a Feta and Kumquat starter, then a Monkfish carpaccio with Harissa sauce, three French cheeses with date, and dessert of chocolate and, believe or not, rhubarb.

Sebastien attacks the window!

In between the six courses, Sebastian kept us entertained and joined up with some Irish friends to play some tunes. And all the time, we were sipping and enjoying those natural wines, the real stars of the show!

I’ll finish with a message to the frogs: Please attack us again, soon!

Mathews & McCan Take A Walk on the Wine Side

Mathews & McCan Take A Walk on the Wine Side

Mary and Kevin Parsons with Café Paradiso's Ger O'Toole (right)

Colm McCan talked the talk and walked the walk as he guided a group of Munster Wine & Dine members around the wine history of Cork City last Saturday. The meeting point was St Peter’s Church in the ancient heart of the city and as we sipped the first of our wines, the Elgin Ridge 282 Sauvignon Blanc from South Africa, Colm filled us in on the huge appetite for wine that our ancestors, especially our mayors, including one called Richard Wine (1273), had for wine. Don't think though that they'd have enjoyed the delicious Ardsallagh Ash Pyramid Goats Cheese that we sampled with the first wine.

Marian Smith, from Ballyjamesduff, is co-owner of Elgin Ridge and all the wines that we’d taste at the various stops would have an Irish connection, the Irish loosely interpreted in some cases! 

Did we lose someone?

Hugh Lawton

Next stop was almost next door at Bradley’s where Michael proudly showed us the amazing gate (really a map in metal of the old city) that his brother mounted on one of many old lanes off North Main Street. Many of the lanes are gone or are blocked up but their names can be seen on plaques built into the pavement. Woodford Bourne is a name linked with the wine trade so it was appropriate that we'd make a stop there.

Then it was on to the Crawford Art Gallery. The older part of this building was once the Custom House and ships, often with wine onboard, would dock here in Emmet Place, now a busy square, and the captains would go in to pay their duty.

In the gallery itself, we stopped in front of the large portrait of Hugh Lawton, mayor of Cork in 1776 and a direct ancestor of Pierre Lawton, the influential Bordeaux based negociant. In a cabinet we saw Penrose glassware. Cork glass pre-dated Waterford crystal and was made from 1783 onwards. 

HM are the missing letters!

The city also produced some of the earliest wine writers, including the famous Maurice Healy. As we moved to our next stop, we passed the GPO which stands on what once was Lawton’s Quay. You can guess what cargoes came in here!

Kevin Parsons has spent a lifetime in wine and he (and his wife Mary) was a guest on the walk and came up with some good stories. In Jacques, as we warmed up with a delicious tagine and a wine (Zouina’s Volubilia Rouge, made in Morocco by a French company with an Irish connection), Kevin told us about famous winemakers he had done business with, including the Mahoneys of the Napa Valley, John Horgan of Western Australia, even the then nascent Nyetimber of England. He is well known for his posters of the Wine Geese and used one of a few mounted in Jacques to illustrate. You may check those posters whenever you’re in the Oliver Plunket Street venue.

Kevin and the rest of us were looking forward to our next arranged halt, at the Old Bond. We did get into the area. Lots of keys available but those to the old vaults couldn’t be found and we had to make do with looking at the exterior, perhaps for the final time, as there are plans afoot to develop this point of land, the final point at the eastern end of the island city. Kevin had been a daily visitor here for decades.

Jules (pic Colm McCan)

So back to the warmth of the top wine venue in Cork, L’Atitude 51. Beverley had been with us all day, helping Colm with the commentaries, and now she was our host, greeting us with a glass of 1701 Franciacorta. The Irish connection here is Rhona Cullinane, a Clonakilty lady who works with this family owned vineyard between Lake Garda and Verona.

Wexford man Pat Neville was described as one of “modern day wine geese” as we sipped his Domaine Aonghusa Bentouly 2014. All the while, there were contributions of mainly Irish interest coming from Colm, Beverley and Kevin.

And then it was time for the finalé: Le Cèdre Malbec vintage 2012. And very nice too, its sweetness a lovely match with the chocolate covered figs from the L’Atitude kitchen. 

And who better to tell us about the wine than Jules, the son of the vignerons, who just happens to be doing work experience at L’Atitude. “It is a Vin doux naturel, raised by organic methods, with an abv of 16%.” When it comes to wine, Mathews and McCan always find an Irish connection! Salut. Cheers. Slainte. 

The old (1724) custom house, now part of the Crawford Gallery

A Red and White worth noting. From the heart of the Corbieres garrigue.

 A Cathar castle in Villerouge-Termenès about 30 minutes from the chateau.
A summer festival when I visited a few years back but in 1321 the last of the Cathar leaders were burnt alive here.

Château Beauregard Mirouze Campana rouge Corbieres (AC) 2015, 13.5%, €14.85 Bradley’s Cork, Le Caveau

This is a blend of 50% Syrah (some over 40 years old) and 50% Grenache. It is produced in small vineyard parcels, actual clearings in the heart of the Corbieres garrigue (scrub), by organic methods. Add in low yields and you get a “really honest… satisfying red”. The winemakers suggest pairing it with strips of duck breast with ratatouille. 

One advantage of being surrounded by garrigue is that the vines are well away from the sprays of neighbours. On the other hand, wild boar enjoy the cover of the scrub and so the Mirouze family have to use an electric fence to deter them.

Colour is a deep ruby. Something wild, funky they say, about the nose, perhaps it’s the garrigue. Quickly on the palate, fruit, juice and spice emerge in intense and happy combination. Good body too, a tannic backbone and a persistent finish. No shrinking violet this yet it is much more finesse than rustic. A well made and friendly wine and Very Highly Recommended. It is indeed honest and satisfying and, by the way, well priced too.

Château Beauregard Mirouze Campana blanc Corbieres (AC) 2015, 12.5%, €14.85 Bradley’s Cork, Le Caveau

Again, like the red, this is a Bio wine, certified organic. It is produced from the fruit of vines well known in the Mediterranean area, Marsanne (60%), Roussane (20) and Vermentino (20). They hand-harvest; fermentation and ageing takes places in large vats. And the makers have a preference for matching it with Fried shrimp with coriander and other herbs.

It has an inviting golden colour. The aromas also attract, with fruit and floral elements prominent. There are gorgeous peachy and melon flavours on the elegant palate, a fresh and edgy acidity to balance and an excellent finish to boot. Very Highly Recommended.

One of the better-known Languedoc appellations, Corbieres is also one of the most productive. Its vineyards, situated south and west of Narbonne, are best known for its red wines, and there is now an increasing number of good whites. Château Beauregard is less then fifty minutes from Carcassonne, less than half that to Narbonne (and its Roman Road, the Via Domitia).

Two Top Whites from Bergerac and Rias Baixas

Eidos de Padriñán Albariño, Rias Baixas (DO) 2015, 12.5%, €18.30 Karwig Wines

This enjoyable well-made wine, with enough freshness to balance the fruitiness, is made by a family winery in Val do Sainés, a sub region of Rias Baixas which claims to be the birthplace of the popular Albariño grape. 

It is said of the family that “they empty the grape of virtue”. Sounds a bit drastic. I think they mean to say they get the best from it.

It has a beautiful mid-gold colour. Peach and pear among the aromas, honeysuckle too. Melon and citrus add to the flavours on the palate; it is round and fresh and has that excellent acidity that makes this versatile wine a winning match with many cuisines, including Asian. A long finish, no shortage of minerality, completes a pleasant experience. Highly Recommended.

Get the best from the wine, empty it of virtue, by making sure it is nicely chilled, ideally between nine and ten degrees celsius. Then you can drink like a monarch! The King of Spain chose Albariño wines to celebrate his marriage to Queen Letizia.

Tour des Gendres Cuvée des Conti Bergerac sec (AOC) 2013, 13%, €17.15 Bradley’s (Cork), Le Caveau

I’m always partial to a Bergerac or Bordeaux white that has more Semillon than Sauvignon blanc and this is the case with this organic white which has 70% Semillon, 20% Sauvignon and 10% Muscadelle. 

You might think that this basic entry level wine might not get that much attention. But, in Cork last year, Guillaume de Conti told me this is one that gets full attention. “It bears the family name, and it gets great care so that each vintage is of a high level.” And this, helped by six months on the lees, certainly is. Good value too.

Not too sure of the colour! Tasting was by candlelight during a power cut, glimpses of gold spotted. Quite an intense bouquet though, fruit (white) and floral. It is fruity for sure but acidity is lively too, so well balanced, and there’s a long dry finish. Great purity and intensity and Highly Recommended.

The Conti family moved from Italy to France in 1925. In the recently published Wine Revolution, author Jane Aston recommends that you try their "Pét-Nat from 100% Sauvignon Blanc vines, bottled with no added sulphur." 

A Hundred of the Best from Le Caveau. Starting with Franciacorta and a Clonakilty Girl

A Hundred of the Best from Le Caveau

Starting with a Franciacorta and a Clonakilty Girl

Meeting Rhona at St Peter's last week

“We are a small vineyard, ten hectares in total, eight planted with Chardonnay, two with Pinot Noir,” said Rhona Cullinane of the 1701 vineyard in the Franciacorta region of Italy when I met her at the Le Caveau portfolio tasting in Cork’s old St Peter's Church last Thursday. So I hear you asking: Rhona Cullinane, from an Italian vineyard? Well, Rhona is from Clonakilty and went to Sienna to finish off third level education and fell in love with the country and now divides her time between the 1701 vineyard and London with plenty of opportunities to get back to Clon.

1701 is an unusual name for a winery . It comes from the year of the first vinification there by the Conti Bettoni Cazzago family; that was in the “brolo”, a four hectare vineyard framed by X1 century walls. In 2012, brother and sister Federico and Silvia Stefini took over the estate and the winery and named it 1701 in honour of that long-ago first vintage. Rhona works with the Stefinis and they were the first in the Franciacorta region to be awarded the coveted biodynamic Demeter certification in July 2016.

There are about 100 to 120 producers in the area and they are now “slowly focusing” on external markets, Rhona told me last week. “there is a regional ambition to move to organic and biodynamic”. 

Rhona was showing the 1701 Franciacorta Brut DOCG. It is a blend of Chardonnay (85%) and Pinot Noir (15%).  The summer heat of the vineyard is tempered by the breeze from the lake (Iseo) and the mountains to the north. “We choose to keep it on the lees for 30 months, well above the appellation minimum. It is made in the traditional manner, manually harvested, with the indigenous yeasts, and a secondary fermentation in the bottle but with zero dosage.

Ballymaloe sommelier Samuel (left) and Damiem of Clos de Caveau

St Peter's

It is a gorgeous sparkling wine, the palate full and generous, clean, fresh and elegant, apple notes, citrus too and that typical brioche note, beautifully balanced and a dry finish. Expect to pay in the mid 30s, considerably less than what you'd pay for the bigger names of the region; lovely wine, great value.

Jules, who is spending a few month in L’Atitude (Cork) improving his English, was keen to show me some of the wines he was familiar with from his home in the south west of France, beginning with the family’s impressive Chateau de Cedre héritage. “This is 95% Malbec, 5% Merlot,” he said. “Four of the five parcels are organic but the next vintage will be fully organic. It is started in cement tanks, matured in barrels.” 

It is medium to full bodied, gorgeous black fruits on the silky palate with a clean finish. Colour is a light ruby, it is easy-going, no shortage of drinkability. Another quality wine at a very good price (15.40).

The small Mirouze vineyard in Corbieres produces some excellent wines, including that Ciel du Sud that Jules showed. It is a lovely lively blend, 50% Grenache, 50% Carignan. It is raised in cement tanks and no sulphur is added. 

Margaret of Le Caveau and, right, Dave of Café Paradiso

The little vineyard is surrounded by garrigue. That means the vines are well away from the sprays of neighbours. On the other hand, wild boar enjoy the cover of the scrub and so the Mirouze family have to use an electric fence to deter them.

My cuvée!!

Domaine No Control is into wine (of course) and music. One of their Gamay is called Fusion, the other Rockaille Billy. I had spotted the Billy on the list early on and wasn't leaving until I had a taste of it. The domaine consists of just five hectares and Jules agreed that this was that bit different to Beaujolais Gamay. “Lovely, great drinkability”. Must get a few bottles of that for the table when I have guests!

from Oregon

The next chat I had was with Damiem and he was showing the Clos de Caveau Vacqueyras AC Carmin Brilliant. Vacqueyras village, under the shade of its large trees, stays cool when the vineyards all around are warm. 

And this is one cool wine, coming from a height of 200m, higher than most of its neighbours, and bearing the distinctive diagonal wraparound label designed by Karl Lagerfeld. It is a superb blend of 60% Grenache and 40% Syrah, natural yeast is used and nothing is added. Good structure and bite, lovely ripe tannins, excellent acidity and freshness.

Sustenance via L'Atitude 51

Superb

Then it was on to the Alsace table where there was a strong showing from Meyer-Fonné. Always find the Gentil wines from the Alsace very drinkable and the MF 2016 was typical. Later, I would come across a similar effort from Oregon’s Ovum Wines called Big Salt! 

The Meyer-Fonné Gewürztraminer 2015 Réserve was aromatic and rich. Hints of sweetness too in the Pinot Blanc but this was dry with  a minerally finish. Also excellent - it suited my palate well - was the 2015 Riesling while the 2013 Grand Cru didn't quite do it for me, almost always find it hard to tune out that whiff of petrol. 

Mayer-Fonné well represented on Le Caveau list

The 2016 Pinot Gris was much more to my liking and the winery points to this one as “the archetypical Pinot Gris for the table”. Will put that on my list. Indeed, I think I may just make a list of all the Meyer-Fonné wines and see how I get on.

I had been pointed towards the Kumpf et Meyer 2016 Riesling by Ballymaloe sommelier Samuel. And with good reason. From its fresh, fragrant and full nose through its complex palate to the long and savoury finish, this is worth a second longer look and so another that will make my ever lengthening shopping list!

A Loire White From The Banks Of The Cher. Plus a lovely Chablis.

Loire White From The Banks Of The Cher. Plus A Lovely Chablis.

The historic chateau of Chenonceau

Domaine du Haut Perron Touraine Chenonceau (AC) 2015, 13.5%, €19.95 Le Caveau, Bradley’s Cork

The vineyards for this Guy Allion Sauvignon Blanc are planted on slopes overlooking the Cher River (a Loire tributary), close to the gorgeous chateau of Chenonceauand not too far from historic Amboise (once home of the French royal court) where Leonardo Da Vinci spent the closing years of his life.

No problem with planning permission in 16^th century. Just demolish most of the existing structure and build your own. That was how Thomas Bohier and his wife got to build the fantastic Château of Chenonceau that now straddles the River Cher in the Loire. It is one of the loveliest of the Loire chateaus and also one of the most popular. 

And there were more fascinating ladies right up to the 20^th century when Simone Menier was in charge when two galleries of the chateau were transformed, at her family’s expenses, into a hospital for the wounded of the Great War. During World War 11, Chenonceau was on the line of demarcation and then Simone carried out numerous actions for the resistance. Simone, who died in 1972, was a member of the Menier family, the chocolatiers, who bought the chateau in 1913 and still own it today.

Last year in Cork, I met Nicolas Donne, a representative of Guy Allion, and he was delighted with this wine: “It can be made only in the valley of the Cher, a new appellation since 2011. Aromatic and elegant, it comes in its own unique bottle (made in Italy) and can age for ten years”.

Colour of this well balanced wine is a very light straw. Aromas, of moderate intensity, feature white fruits. It is a crisp wine with delicate fruit flavours (apple, pear, melon), citrus notes too, a noticeable tingle of minerality, all retained to the end. Highly Recommended.

Domaine Gérard Tremblay Chablis (AC) 2015, 12.5%, €20.80 Bradley’s Cork, Le Caveau

Unoaked and produced from 10 to 30 year old vines. Take a look and you’ll see the characteristic light yellow with green tints. Take a sniff and you’ll note the white stone fruits aromas typical of this Kimmeridgian soil. Take a sip and you’ll taste the fruits, lime and apple, on the generous, almost creamy, palate, the local minerality also showing through. Perfectly balanced, more or less, this well made Chablis finishes well and is Highly Recommended.

Pheasant's Tears Wines. Flavours From Generations Past

Pheasant's Tears Wines

Flavours From Georgia's Past And Present.

By Levan Gokadze from Tbilisi, Georgia - Flickr.com, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=56889960; Qvevri buried in the winery.

John Wurdeman, ex Virginia (US), and Gela Patalashvili are the men behind Pheasant’s Tears, a natural winery and vineyards in the far east of Georgia (where Russia, Armenia and Azerbaijan are among the neighbours). They could have taken the oak route, even the chemical route but, with guidance from the local bishop, they stuck with the local tradition, a vine and wine tradition that goes back hundreds, maybe thousands, of years.

Vegetables and herbs grow among the Georgian vines. In the wineries, many of them very basic, skin contact is employed extensively, but what makes Georgian winemaking different is their use of the qvevri, huge earthenware vats sunk into the ground and used for fermentation and storage. They are made from the local terracotta clay, survive in the ground for generations and have been awarded a place on the UN Intangible Cultural Heritage List. Other winemakers, even in Italy and France, are beginning to use them.

By Levan Totosashvili - https://www.flickr.com/photos/conversum/4066312418/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=38658843
Qvevri above ground.

At the start of her book (below), Alice Feiring wonders about the future of the Georgian approach to wine production. Remarkable that is has survived “vicious invasions” and the “assault of Soviet industrialisation”.  But…“Could Georgians resist the onslaught of wine consultants….? Could they resist chemical salesmen….?”  

They have been stubborn in holding on to their methods in the past. Fingers crossed that they’ll be just as stubborn in the present and future as the get-rich flag is flown in their faces.

• Info on Georgian wines is not all that easy to come by but I was helped by reading For Love of Wine by Alice Feiring, also the Le Caveau catalogue, and by listening to relevant podcasts on BBC Radio Four Food. 
• A Youtube video on Georgian wine https://www.youtube.com/watch?v=eoyI2bJrTnU, one of a few.

Pheasant’s Tears Saperavi Kakheti (Georgia) 2015, 14%, €27.40 Bradley’s Cork, Le Caveau.

This must-try wine is made in the historical province of Kakheti from Saperavi, the “hero” grape of Georgia. Hero because it survived decades (beginning in 1920) of Soviet centralisation, ironically under the Georgia born Stalin (who liked his wine!), a policy that aimed to eliminate most of the region’s hundreds of varieties, aiming to leave only a handful of the most productive ones.

But the Saperavi survived and eventually thrived again. Indeed, it has been planted in 25 Australian vineyards and the reports are good. By the way, be careful you don't spill this juice on your best white top. Unlike most red grapes, the pulp here is also red and so more liable to stain than normal.

The ancient grape has provided wine for many generations. Even during the worst of the Soviet times, householders kept growing it in the gardens, without chemicals, to make wine for the house. And nothing is wasted. The leftovers (the pomace) from the initial wine-making are distilled to make the Georgian Chacha, their fiery equivalent of Italy's Grappa.

Colour of our Saperavi is a deep purple. The aromas are of cherry, savoury notes too. On the palate it is fresh, full of vitality, cheerful blackcurrant flavours feature, tannins are pretty firm. While there is some little sweetness on the palate, the long finish is dry. Check your lips! It is a most satisfying wine, eminently drinkable and digestible and Very Highly Recommended. One can see why the Georgians allow three litres per guest at weddings and other excuses (readily found, apparently) for feasting! It is said that Georgians rarely eat; they feast.

This is quite magnificent with lamb, either roasted or stewed, Georgian-style, with aubergine.

Pheasant’s Tears Shavkapito Kartli (Georgia) 2014, 13%, €27.25 Bradley’s Cork, Le Caveau

The fruit for this one comes from Mukhrani in Kartli. The Shavkapito grape is a rare Georgian variety, praised for its refreshing tones of violets and forest earth. If you were lucky enough to have been part of the Georgian royal circle in ancient times you would have seen the king reach out for a glass of Shavkapito on a regular basis.

Colour is a dark ruby and the legs are surprisingly slow to clear and you’ll note dark fruit among the aromas. A juicy fruity palate (plum, cherry) also features persistent grainy tannins and there is a velvety spicy finalé. Oak comes to mind but the wine has seen no wood only the inside of the qvevri. A natural with game and with lamb. Highly Recommended, perhaps Very Highly Recommended in a few years time when the tannins have calmed down a bit!