Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Wednesday, May 3, 2017

Barolo and Amarone. Two Italians Worth Meeting

Venice
Barolo and Amarone. Two Italians Worth Meeting
A good few years back, a mixed nationality group of tourists, including yours truly, were slowly making our way across Italy. There were a few Australians in the party - they were mainly beer-drinkers (stubbies rather than stickies) but included one winemaker - and their conversation regularly featured the word Barolo. It seemed like a holy grail to them. Later I would find out why! Perhaps they also mentioned Amarone but I can't recall. These two wines from the north of Italy are well worth getting to know!


Ciabot Berton Barolo (DOCG) “La Morra” 2011, 14.5%, €32.95 Le Caveau
Nebbiolo is regarded as native to the Piedmont region and produces some of Italy's “most uniquely perfumed and powerful reds”. Since early days, one of those wines, Barolo, was referred to as the “king of wines, the wine of kings”. This La Morra is a right royal example.

It comes from a prestigious and historical cru. The winemaking is “fairly” traditional. The 100 per cent Nebbiolo is aged 18 months in 25 hl Slavonian oak casks (useful for stabilising and harmonising) and then 6 months in steel vats before bottling.

According to Vino Italiano: “…. the top wines in the DOCG are said to hail from the communes of Monteforte d’Alba, Serralunga d’Alba, Castiglione Falletto, Barolo and La Morra.” The hilly land concerned lies generally to the south-west of Alba and much of it is a protected World Heritage site since 2014.


This gorgeous light red wine has aromas of blackberry in Autumn, gentle hints of cherry too, plus floral notes. On the palate it is smooth round and rich, some spice too. Concentrated and elegant, perfumed and powerful. The excellent acidity heralds a long, fresh finish, a finish as satisfying as all that goes before. Very Highly Recommended.

Luigi Righetti Amarone della Valpolicella (DOCG) Classico 2012, 15%, €25.95 Karwig Wines

Amarone, some of you will know, is a style, not a grape and the style was developed in the area of Valpolicella where local wine-makers searched for a way to increase the body, complexity and alcohol content of their wines, made generally from Corvina, Rondinella and Molinara fruits. Amarone della Valpolicella is an intensely flavoured dry red wine made from dried grapes. 

Righetti may not always feature in the lists of top wine-makers here but his is a good one; you may take a certain confidence from the G in the DOCG. Colour is a deep ruby red. The complex nose features oodles of dried red fruit. It is rich and dry with concentrated flavour - the alcohol is also high; some spice too and a noticeable tartness, all characteristics carried through to the finalé. Very enjoyable wine and Very Highly Recommended.


Wednesday, April 26, 2017

Sweet favourite of the Romans. Still Going Strong!

Sweet favourite of the Romans. 
Still Going Strong! 

Masi Angelorum Recioto della Valpolicella Classico (DOC) 2012, 14%, €24.95 (35cl) Bradley’s

This is something special, once a favourite of the ancient Romans. 

According to Hugh Johnson, it “is the most historic of all Italian wines…. sumptuous..cherry chocolate…sweet fruitiness.”

It is produced by Masi, “one of the great entrepreneurs of Italian wine,” according to The Modern History of Italian Wine.

Masi are well known for using techniques that enhance the flavour and concentration of their wines and Recioto is one such. 

Recioto is made by arresting the fermentation.. so that some residual sugar remains, according to Vino Italiano. “With all that sugar, the extract, and the alcohol, a Recioto can be almost overwhelming in its intensity…. a meal in itself… It is still one of the great wines of Verona, an answer to Port.”

You will need patience to see that answer though. The bottle below is from 2012, so the style is sweet and fruity. Towards the end of its recommended 20 years, it becomes similar to Port.

It is a blend of three well-known grapes in the area: Corvina, Rondinella, and Molinara. Moderate barrel ageing helps achieve balance. 

Colour is a dense ruby red.  Cooked cherries and fruits preserved in spirits are given as the aromas. Haven't done either, so I'll take their word for it! On the classy palate you notice that lovely balance of fruit, sweetness and acidity. And then the long finish. Nowhere near as heavy as some well-known sweet wines, not a hint of cloying, and Very Highly Recommended.


See also (from my current Italian mini-series):
In the Heart of Chianti

Pighin's "Grave wines are bargains". Good too!

Wednesday, April 19, 2017

Pighin's "Grave wines are bargains". Good too!

Pighin's "Grave wines are bargains". Good too!


Vino Italiano (2005) sums up Pighin: A large estate with holdings in both the Grave and Collio DOCs. There are some decent wines in the bunch, and the Grave wines are bargains.

They have proved innovative wine-makers and built the first Italian example of an insulated winery. No water wasted here; the terrace roof is irrigated with well water which contributes to cooling down the spaces before returning down to where it came from. See the Modern History Of Italian Wine (2016) for more.

Grave is named, in much the same way as its Bordeaux namesake, after its gravelly soil. The Pighin family were in haulage when they took 30 hectares of Risano in 1964 and their drive for quality started then and continues. 

Their piece of Grave is considered superior for its wines, leading to varietal intensity and aromatic complexity. Pinot Grigio is king here and this below is a right royal example below.

Pighin Pinot Grigio Grave del Friuli (DOC) 2015, 12.5%, €17.75 Karwig Wines
The colour is a straw yellow, micro bubbles noticeable. The complex aromas speak of white fruits, hints of blossom too. On the palate, it is smooth and noticeably supple, superbly balanced and with a persistent finish. Nothing watery or weak about it; just a full bodied example of the grape and Very Highly Recommended.

Pighin Risano blanco Venezia Giulia (IGT) 2013, 12.5%, €14.85 Karwig Wines
The grapes used in this white are Pinot Grigio, Sauvignon, plus autochthonous (i.e. indigenous) varieties of Friuli-Venezia Giulia. They come from the vineyard of Risano where “Hot, breezy summers, rigorous winters and average rainfall create particularly favourable conditions”.


This very light straw coloured wine has attractive, if modest, floral aromas. That gentleness continues and combined with the freshness of the palate makes it an ideal aperitif. Good acidity should see it pair well with the recommended salads and light summery offerings. A very pleasant wine indeed and Recommended and good value, especially if you have a gang coming to visit.

Wednesday, April 5, 2017

In the heart of Chianti

In the heart of Chianti

If Tuscany is the centre of the Italian Wine Universe (as declared by Vino Italiano) then Chianti Classico is its heart. Chianti itself is a vast area in Tuscany with Pisa and Siena among its best known cities. Chianti Classico DOCG, situated on the hills between Florence and Siena, is tiny by comparison.

Hugh Johnson, writing in The Finest Wines of Tuscany (2009),  says the revolution of Tuscan wines began over 40 years ago and is still on-going. “It is the New World within the Old, questioning, experimenting all the time, with ever-rising standards.”  Looks like there is a lot more to this story.

Sangiovese is central Italy’s most important red grape and the main grape in Chianti where Grapes and Wines note Terrabianca as one of the top producers. It is also the base of Vino Nobile di Montepulciano, Brunello di Montalcino and Morellino di Scansano.


Terrabianca Scassino Chianti Classico (DOCG), 13.5%, €22.70 Karwig Wines

The estate is ancient (mentioned as far back as 1085) but Roberto and Maja Guldener started here only in 1988. Now, after much hard work, some of their wines, including this one, are well-known in “many countries all over the world”. Not bad going for a couple that left the city (Zurich) to live in the countryside.

The blend is 97% Sangiovese with 3% Canaiolo. It has spent 8 months in Slovenian oak and three months in bottle before release.

It is a vibrant cherry red, clear and bright. The inviting aromas are a mix of fruit (led by raspberry and cherry). It is fresh and supple, with moderate spice, fine tannins, a really pleasant experience on the palate, a well made Chianti, with typical fragrance and fruit, with a firm backbone and a long lasting finish. Very Highly Recommended.



Fattoria di Rodáno Chianti Classico (DOCG) 2011, 14.5%, €20.45 Le Caveau

This blend of 90% Sangiovese and five per cent each of Colorino (with its deep dark colouring) and Canaiolo (also used in Vino Nobile di Montepulciano) is produced by the Pozzesi family on an organically run hill-top vineyard in Tuscany. It is oak-aged in large Slovenian botti di rovere but this is really “little more than a seasoning”.

Colour is a bright cherry red and ripe red and darker fruits are prominent in the aromas. Flavours of plum and cherry are found on the palate of this medium bodied wine, spice too. Tannins though rounded are still a factor and even more so is the typical mouth-watering acidity. The elegant finish persists. This impeccably balanced wine is Highly Recommended.

See also (from my current Italian mini-series):


Wednesday, March 29, 2017

Wines of Italy's Marche. Carminucci Family impress with this set

Wines of Italy's Marche
Carminucci Family impress with this set

The Marche (pronounced Mar-kay) is a long narrowish region on the east of Italy, between the Adriatic and the Apennines. The main cities are Pesaro in the north, Ascoli in the south and Ancona in between. It has an ancient wine-making tradition and its warm and cool viticultural zones mean a variety of produce.

Verdicchio is, by far, the main white grape of the area, with highly regarded wines coming from Castelli di Jesi and Matelica. But “there’s a significant production of a crisp Trebbiano-based white in the south”, near Ascoli-Piceno, according to Vino Italiano, and this is where our family, Carminucci, comes from. 

Red wines here are “a softer version of Chianti” according to Vino Italiano, and they can also be “some of the best values around”. 

The World Atlas of Wine is of much the same opinion. "Rosso Piceno... generally with lower yields and judicious oaking, can be good value." Sangiovese and Montepulciano are the main red grapes.

The Carminucci family started making wine here in 1928 and Findlater’s have  introduced their wines to Ireland.  The five wines below come from the sub-regions of Falerio, Offida, Rosso Piceno, 

Carminucci Naumakos Falerio (DOC) 2015, 12.5%, €15.95. Findlater's (whose stockists include Bradley’s North Main Street, Cork).
This is a fresh and fruity blend of Trebbiano, Passerina and Pecorino. Trebbiano is the backbone while the other two, each native varieties, boost the aromatic complexity. Crisp, tangy and refreshing.

Colour is a light straw, tints of green, micro-bubbles. Aromas are pleasant if modest, of almonds. There are refreshing fruity flavours with an immediate appeal, persistent from start to finish. And I'm not talking tasting portions here. This is not a wine to sip and abandon; it has second, even third, glass appeal! Good acidity too. Could possibly do with a bit more body, a tad more viscosity, but a very pleasant wine as is and Very Highly Recommended.

Carminucci Belato Offida (DOCG) Pecorino 2015, 12.5%, €16.95 Findlater's (whose stockists include Bradley’s North Main Street, Cork)
This is 100 per cent Pecorino. I am talking about a grape, not the famous sheep's cheese of Italy. The Pecorino grape is so called because a bunch resembles a sheep’s head. That’s one story. Another is that the bunches are a favourite treat for the sheep. In any case. it does well here in Offida.

Wine-Searcher.com says: Pecorino cheese is, coincidentally, a surprisingly good food match for Pecorino. I did try a previous one with the Pecorino from Toons Bridge and it certainly worked well. Brief details here

Colour of this Carminucci, a producer newly introduced by Findlater’s, is a pale straw, invitingly bright. Aromas are delicate and pleasant, of apple, pear and banana, some floral elements too. On the palate, it is full and rewarding, good depth of flavour and minerality; it is full bodied, dry and well balanced. A very pleasant mouthful indeed and Highly Recommended.

Winery tips: Serving temperature: 10-12 degrees; pair with
aperitifs, fresh cheese, white meat, fish.

Carminucci Naumakos Rosso Piceno Superiore (DOC) 2013, 14%, €16.95 Findlater's (whose stockists include Bradley’s North Main Street, Cork)

As with the whites, the DOC for this red is in the south of the Marche region, close to Falerio, Offida and Rosso Conero. The blend is 30% Sangiovese and 70% Montepulciano. It has been matured for 12 months in 400 litre oak barrels.

It is a dark ruby red with a complex bouquet of the darker fruits (plum, cherry), hints of liquorice too. The first rich sip tells much. It is a lovely rounded wine, full of flavour, some moderate spice, with  a terrific balance, quite fine tannins and a persistent finish. Very Highly Recommended.

Carminucci Grotte Sul Marc Falerio (DOC) 2015, 11.5%, €14.95 Findlater's (whose stockists include Bradley’s North Main Street, Cork)

Same three grapes but a different vineyard to the Naumakos, lower ABV also. Light straw colour, tints of green. Pleasant aromas of fruit (apple, pear), plus floral notes also.

After the introductory tingle, the fruity freshness (grapefruit now added to the mix) continues; it is dry, fresh yes, and well balanced. Good acidity too (they recommended trying it with fish) and a pleasant and persistent finalé. Highly Recommended.

Carminucci Grotte Sul Marc Rosso Piceno (DOC) 2015, 13%, €16.95 Findlater's (whose stockists include Bradley’s North Main Street, Cork)

This Grotte Sul Marc line underscores “our link with this territory… the Grottammore hill zone”. It is a blend of Sangiovese and Montepulciano and no oak has been used in this one. You are advised to “use all through the meal, with delicatessen products, cheese, and roast meats”.


Ruby red is the colour. There are cherry aromas. On the palate it feels smooth, with rounded red fruit flavours, slight spice and altogether a rather lovely wine, dry and soft and with a good finish. Enough acidity to keep it welcome at the table. Highly Recommended.

See also from current Italian series: 
Fontanafredda. Important Player in Italian Wine
Two Amazing Whites from Italy.
In the Heart of Chianti
From the Islands

Pighin's "Grave wines are bargains". Good too!


Wednesday, March 22, 2017

Fontanafredda, important player in Italian wine. Three examples.

Fontanafredda: important player in Italian wine. Three examples.

The Modern History of Italian Wine (2016), to which we'll be referring often over the next few months, picks Fontanafredda, renowned for decades for its Barolo, as a key player in Italy's wine industry. The important company now produces some 7.5m bottles a year and you can find quite a few of its products, including the Barolos, in Karwig Wines. Below are just three examples. 

Fontanafredda Raimonda, Barbera D’Alba (DOC) 2009, 14%, €21.15 Karwig Wines


In 1858, an area close to the village of Serralunga D’Alba was registered to the King Vittorio Emanuele II. Here he indulged his passion with the commoner daughter of a drum major and it was eventually their son Emanuele Guerrieri, Count of Mirafiore, who devoted his life to making wine here, “with a very modern approach”.

Success with Barolo followed later but, after war and economic strife, the banks took over in 1931 and appointed a winemaker to take charge. In recent years, the property passed to Oscar Farinetti, “another visionary” according to the recently published Modern History of Italian wine, “who revitalized its sale and the commercial image of the brand”. 

Dressed with the colours of the estate, the Stripes series “is the central line of production by Fontanafredda”. And the Barbera for this striped bottle is grown around Serralunga.

Part of the wine is aged in large French and Slavonian oak casks, the rest stored in small barrels of medium toasted French and American oak for about a year. The two parts are blended prior to bottling.

Colour is a deep ruby. There are intense aromas of cherry and plum, notes of vanilla. Quite a striking velvety mouthfeel on this one, round with ripe and tangy fruit, hints of spice, and an excellent acidity. A very pleasant drop indeed and Very Highly Recommended.

Karwig’s also do another excellent example of the grape: Renato Barbera D’Alba.

Fontanafredda Gavi (DOCG) 2015, 12.5%, €23.10 Karwig Wines

This is another of the vineyard’s Stripes Series and the Cortese vines from which it is produced are grown near the village of Gavi in south east Piedmont. Serve between 10 to 12 degrees and you’ll find it is ideal for starters and light meals.

It is a light straw colour with a definite green tint and micro-bubbles cling to the sides of the glass. There are fairly intense aromas, a melange of white fruit and blossom. Lively fruit flavours predominate as it rolls smoothly across the palate. It is an easy-drinking well-balanced wine with a long dry finish. Highly Recommended.

Fontanafredda “Le Fronde” Moscato D’Asti (DOCG) 2012, 5.0%, €9.95 Karwig Wines

This is a gorgeous moderately sweet wine, another string to the impressive Fontanafredda bow. Try it with all desserts, they encourage. I had a few of those delightful cheesecakes from Charly and tried the two together. Excellent, though I'm told it may be even better with drier cakes (e.g. panetone). And, by the way, it is also lovely on its own.

May not have much alcohol on board - yes, that five per cent is correct - but it has quite a lot going for it otherwise. It is slightly fizzy, lots of bubbles in evidence, mainly clinging to the sides of the glass, a frizzante rather than a spumante. Indeed, the low alcohol count means it can be convenient to use within a multi-course meal, either as aperitif or with dessert. I prefer to use a normal white wine glass rather than a flute.


It is aromatic (this one sage and honey) and floral, full and fruity also. Well worth trying, ideal in the garden in summer, with three or four friends. Recommended.

Recently reviewed:

Wednesday, March 15, 2017

Two Amazing Whites from Italy.

When I started on this Italian odyssey,  using The Modern History of Italian Wine as my main guide, I was prepared to be impressed by the reds, less prepared to be bowled over by a couple of lesser-known whites. But it is well worth getting acquainted with this superb duo.

Colle Stephano Verdicchio di Matelica (DOC) 2015, 12.5%, €16.15 Le Caveau

Its lovely fruit acidity makes it lively and distinctive, and so good with food. This organic wine is produced in Matelica in Italy’s Marche. Matelica is an inland area, higher and cooler, well in from the coast of the Adriatic. 

Importers Le Caveau say you could eat off the floor of the winery “and hygiene is very important when making this kind of white wine. We love it this for its racy, stony and revitalising mouthfeel”. Sounds like a Sauvignon Blanc to me and indeed Le Caveau recommend using it like a Marlborough SB.

And its not just le Caveau that are impressed. In 2013, the Decanter Italy supplement raved about it: “Italy's best-buy of all time? Unbelievable quality for the price.” Just wonder how well that went down in nearby Jesi, another area well known for its Verdicchio!

Colour is quite a light straw. Aromas are herby, grassy, minerally, reminiscent indeed of Sauvignon Blanc. With its herbal tang, it is lively and refreshing on the palate, zesty with the sourness of green apples and quince. And, like many Italian wines, the crisp acidity means it is superb with food (sea-food ready is a term I've heard used in connection with Verdicchio from this area). Very Highly Recommended.

Terredora Di Paolo “Loggia Della Serra” Greco di Tufo (DOCG) 2015, 12.5%, €18.95 (€16.95 on offer) O’Brien’s

The grape is Greco (nothing to do with Greece, according to Vines and Wines) and the village is Tufo in Campania. The grape and the terroir here seem made for each other and the combination “gives Loggia Della Serra a particular complexity and personality”. Pair with fish, soups and tasty pasta and serve at 10 degrees.

The vineyard’s high opinion of this wine is widely shared. It is highlighted in Vino Italiano as a consistently accurate expression of the grape. It is not “… a long ager. …at its best one or two years from the vintage”. So my timing on this one is spot-on.

The recently published The Modern History of Italian Wine also has high praise for Terredora. “The vineyards are… among the best in Irpinia. Terredora cultivates indigenous grapes only.”

Colour is a light straw and the intense aromas feature white fruits and blossoms. The intensity is also on the palate, citrus notes here too and a rich minerality also prominent in this elegant and full-bodied wine. Definitely has that strong personality and a long dry finish. Very Highly Recommended.

See also from this current Italian series:
Wines from Italy's Marche
Fontanafreddo, important player in Italian wine



Wednesday, March 8, 2017

Four from the north of Italy. Dark and Handsome

Four from the north of Italy
Dark and Handsome

The first three wines are all "related" in the sense that they come from the same three grapes: Corvina, Rondinella and Molinara. All four wines come from the north of Italy.

Fasoli Gino, La Corte del Pozzo Bardolino (DOC) 2013, 12.5%, €15.49 Mary Pawle Wines

Bardolino is the lightweight sibling of Valpolicella (made from the same three grapes: Corvina, Rondinella and Molinara). The wine is named after the village on the shore of Lake Garda. If you know the village - quite a few Irish holiday here - you probably know the wine type.

Ruby is the colour, light and bright. A hint of rose in the colour and also in the aromas, a mixture of fruity and floral. And the same elements continue to combine to deliver a good and harmonious result in the mouth. A lightweight perhaps but a rather delicious one and Highly Recommended.

It is an organic wine and the grapes are cultivated by members of the Associazione Cumunita’ dei Giovani, young adults with special needs. See review of the Gino Valpolicella from last July here.



Costa Mediane Amarone della Valpolicella (DOCG) 2012, 15%, SuperValu

This is a blend of Corvina Veronese, Corvinone, Rondinella, Molinara from the Valpolicella area of Veneto in the North East of Italy. It is “good at the table” and they recommend trying it with red meat, mature cheese. Serve between 14 – 16 °C.

It is ruby red with a slightly lighter rim and has pleasing cherry aromas. On the palate there is a concentration of fruit, some spice too, fresh and delicious with some sweetness. The high alcohol is smoothed right down in a medium to full body; it is easy drinking with a good dry finish. Highly Recommended



Sartori Valpolicella Ripasso (DOC) Superiore 2014, 13.5%, SuperValu
For centuries, Veneto winemakers have used various techniques to improve the depth and complexity of their wines. Ripasso is one method and you may see the full details here.  

This Sartori is made from a blend of local grapes and Corvina is the main one with Rondinella and Molinara also in the mix.


Aromas from this ruby red wine are of fragrant cherry, intense and persistent. On the palate, it is fruity and spicy, lively and delicious, sweet notes too, and then a long dry finish. Medium bodied and easy drinking it is Recommended.


Rovero Lajetto, Monterrato (DOC) 2001, 14%, €19.00 Mary Pawle Wines

This 100% Pinot Nero has spent 12 months in French oak and a hell of a lot longer in the bottle. So be sure and decant this Italian and let it hang for a few hours. The 15 year old will be all the better for it. It will look brighter, feel fresher and taste better.

Colour is a dark red, the rim a shade lighter. Dark and moderate fruit aromas are followed by a well-rounded palate; tannins are fine at this stage and the finish is long and dry, not bad at all for an old fellow. Not too sure it is worth waiting for all this time but it is certainly a very pleasant and decent wine and Highly Recommended.


Sunday, January 29, 2017

From Sharecroppers to Entrepreneurs. The Modern History of Italian Wine

From Sharecroppers to Entrepreneurs
The Modern History of Italian Wine

At a lunch last April in West Cork, Italian winemaker Elena Pantaleoni (La Stoppa) told me that farmers were , not so long ago, looked down on in Italy, that her farmer brother had to leave Italy for France to gain some respect in his chosen profession. I was just a few pages into The Modern History of Italian Wine (edited by Walter Filiputti) when I was reminded of that conversation in the Good Things in Skibbereen.

“The modern history of Italian wine, which began to take shape in the late 1960s and the early 1970s, is the finest page ever written by our agriculture.
It gave birth to the most important agrarian revolution, in a few years turning poor farmers into entrepreneurs whose bottles are now found worldwide. ‘Contadino’ (peasant/farmer) was a derogatory term, sometimes used offensively. Until the 1970s, it was very difficult for a farm/peasant boy in the Friuli countryside, for example, to marry outside of his social class.”

In those few transformative years, a new awareness of public health emerged and production processes, previously heedlessly helped by chemicals, was enhanced by the arrival of “cold technology, laying the groundwork for mechanical oenology or knowledge”

And then the US market took off for Italy, helped hugely by the Italians in the states, in their restaurants in general and by Robert Mondavi in particular. The fascinating book takes us through the decades that followed and “is a history of labour and creativity that is all Italian, something to be proud of”.
Other famous names emerged in Italy. And famous wines too, such as the “Super Tuscan” Tignanello, Sassicaia (100 points from Parker for 1985 vintage and another Super Tuscan), Castello Banfi’s Brunello (which established itself as “a symbol of Italian quality in the wider world”.

The US market was becoming increasingly important and “indeed began to drive the industry”. In the 1990s, Angelo Gaia, another leading figure in the renaissance, noted the change in America: “they were understanding our fine clean wines”.

There were many breakthroughs including the Masi’s innovative Ripasso method and Campofiorin, a Super Venetian and “the inspiration for a while series of wines". 

And then came the setback of the methanol scandal in 1986 when over twenty people died. But Italy acted quickly to tighten quality controls. And the renaissance continued, moving the industry ever further from chemistry towards sustainability.

And that progress is being marked on the landscape (on it and under it) by some amazing wineries, quite a few of them illustrated in the 400 page book. Most of us know the very spectacular wineries of Spain but they are matched in Italy. 

Just take a look at some of my favourites, the L’Ammiraglia in Tuscany, the Cantina Khamma and the Feudo di Mezzo (both in Sicily), the Petra in Tuscany, La Brunella in Piedmont, and Cantina Jermann di Ruttars in Friuli.

There are separate chapters on the 60s, 70, and each decade right up to the present. Here the winemakers who were prominent in each decade are mentioned. Just two hundred or so in all, so many will be disappointed but the editor says the book is dedicated “to all Italian vintners” and also to those not mentioned (who are asked to “please be understanding”).

Factors leading to the breakthrough in the 60s were the controversial introduction of the DOCs in 1962 and the abolition of sharecropping in 1964. Many sharecroppers left the countryside and the old vines (and many native varieties) were at risk. But many former sharecroppers became modern farmers and many entrepreneurs joined them in the vineyards.

Fontanafredda, many of whose wines are available here (Karwig Wines, for example), go back a bit further than the 60s and the estate was, in 1858, part of the heritage of King Vittorio Emanuele 11.  They were making excellent Barolo at least as far back as 1924. In recent times, “the property passed to another visionary, Oscar Farinetti, who revitalized its sale and the commercial image of this brand which today, with its 90 hectares and concessions, produces about 7.5 million bottles”.

In the early 70s, “we saw the beginning of the long process that would lead knowledgeable oenology to drive the chemistry away from the temple”. As Piero Antinori said: “Modern technology simply allows us to express our full potential”. Leonildo Pieropan figures prominently in this decade. In 1971, he produced the Soave Calvarino and in 1978, Soave La Rocca, aged in wood, “another revolution for his territory”.  Liberty Wines import the wines of Pieropan to Ireland.


The “mastery of oenological science” put the Italians in position to tackle global markets and, despite the methanol setback, they did so in style during the 80s. But Angela Piotti Velenosi first had to conquer her local area of the Marches and Piceno where only cooperative wineries and bulk wine reigned. 

Angela and her husband founded their winery in 1984 starting with just five hectares. Three decades later, the vineyards stretch to 105 hectares and produce 2.5 millions bottles, “of which a large share is exported to five continents”. Quite a lot it makes its way here to Ireland and Karwigs have quite a selection.

In the 1990s, Italian winemakers, who had mastered the technology, began to look at their vineyards “as the source of better quality. Viticulture took its place again at the centre of the wine system.” Italy was flying in world markets, Brunello di Montalcino “a symbol of this extraordinary success”.

The islands of Sicily and Sardinia are major players in the Italian wine industry yet one of the smallest producers is among those chosen to represent the 1990s. “One label, one wine and a success for twenty years”, the Galardi estate is on the slopes of..an extinct volcano. The four owners started to recover the old vineyards in 1991 and now produce, organically since 1997, some 33,000 bottles of IGT Roccamonfina Terra di Lavoro, a blend of Aglianico and a small percentage of Piedirosso, “the essence of the south”.

Sustainability was the model to follow as the new millennium dawned. Wine tourism too began to build and, speaking of building, famous architects designed inspiring wineries. And who do I see listed as one of the “representatives" of this decade? None other then Colutta (Friuli Venezia Giulia) whose owner Giorgio Colutta visited Cork last year.
Giorgio (right) in Cork last year.

Giorgio explained that he is not organic (that's easier to do in the warmer south!) but this former pharmacist has introduced environmentally sustainable cultivation techniques and is self sufficient with regard to energy consumption. His is a small company but has reached out around the world, especially to the Far East. Fortunately he is on the books of Wines Direct where you may purchase his amazing Pinot Grigio and the even more amazing Schioppettino. 

The Schioppettino grape variety is from the local area and has a history there dating back to at least the 13th century. Giorgio told me the name means “little bang”, the sound the grape makes when you pop a ripe one into your mouth!

The chapter on the current decade features Up and Coming winemakers and ideas. The future may be in the past if the exploits of father and son team, Pasquale and Umberto Ceratti, are anything to go by. In Calabria, they make “precious wine with ancient methods”.  Following these antique methods, they make a few thousand bottles of Greco di Bianco from a vine that came with the Greeks in the 8th century BC.
Elena Pantaleoni (front, 1st left), at lunch in Skibbereen

So back to Elena and her vineyard La Stoppa. Her family bought the old place in 1973, and revived the vineyards and the winery. Nowadays, using organic methods, La Stoppa specialises in the production of wines derived from the local varieties: Malvasia di Candia Aromatica, as well as from Barbera and Bonarda, in addition to the wines derived from the historically introduced varieties of French origin: Cabernet Sauvignon, Merlot and Semillon. Beautiful wines from a beautiful place and available here from Le Caveau. Just thought I'd get that in, even if the editors couldn't!

Divided into three parts (“The Renaissance of Italian Wine,” “Italian Wine. Innovation” and “The Geography of Italian Wine”), the book narrates a never-before-told, all-Italian story of hard work and creativity. It leads readers on a journey through the sun-drenched regions of Italy, a country that has dramatically revamped its wine-growing and vinification procedures since the 1970s. All in all, it is a marvellous book, full of detail and passion, and well illustrated too.

  • Just one criticism: While there are indices for winemakers and another for names, there is no overall index. If I want find Valtellina (which is mentioned at least three times), for example, I just have to go through the whole book. Why Valtellina? Well, we had an Italian night in the Farmgate in 2015 and the wines came from there as does Farmgate front-of-house Mirco! The Italians and their wines are everywhere - thankfully. 
  • The Modern History of Italian Wine is edited by Walter Filiputti and is published by Skira. It is available from Eason's (€58.80) and online from the publishers (€46.75).